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In this compelling work, Rebecca Pelan analyzes religion, region, class, and national and ethnic identity as crucial contexts in shaping feminist consciousness in the two Irelands, and compares the divergence of feminist perspectives to be found North and South of the border. The very different histories of the North and South are reflected in their literature. While women in the Republic of Ireland have tended to write about social issues - sexism, crime, unemployment, and domestic violence - women in Northern Ireland focused on their society's historical tension and primarily nationalist and unionist politics. However, Pelan maintains that feminist ideology has provided contemporary Irish women with an alternate political stance that incorporates gender and nationality/ethnicity and allows them to move beyond the usual binaries of politics, history, and language - Irish and English. contemporary feminist and gender theory, Pelan concludes that Irish women's writing, whether at the community or mainstream level - North or South - consistently articulates political issues of direct relevance to the lives of Irish women today. As a result, such work retains close links with the initial impetus of the second wave of feminism as a political movement and questions the legitimacy of long-standing social, religious, and political conventions. From within the framework provided by this second wave, argues Pelan, Irish women can critique certain masculine ideologies - nationalist, unionist, imperialist, and capitalist - without forfeiting their own sense of gender and national or ethnic identity. The book's significance lies in its placement of women's writing in the center of contemporary political discourse in Ireland and in ensuring that the writing from this period - much of it long out of print - continues to exist as sociological as well as literary records. in the fields of contemporary Irish writing, feminism, and literary history.
A riotous journey by Alice through the strange land of Thunderland, which is ruled by a species called the memblies. There are femblies too, of course. . . Alice in Thunderland is a hilarious feminist fairytale, a satirical look at male-dominated society, cocking a snook at the apparent logic of the structures that underpin our lives.
Postfeminism and Contemporary Adaptations of Victorian Women
Author: Antonija Primorac
Category: Performing Arts
This book broadens the scope of inquiry of neo-Victorian studies by focusing primarily on screen adaptations and appropriations of Victorian literature and culture. More specifically, this monograph spotlights the overlapping yet often conflicting drives at work in representations of Victorian heroines in contemporary film and TV. Primorac’s close analyses of screen representations of Victorian women pay special attention to the use of costume and clothes, revealing the tensions between diverse theoretical interventions and generic (often market-oriented) demands. The author elucidates the push and pull between postcolonial critique and nostalgic, often Orientalist spectacle; between feminist textual interventions and postfeminist media images. Furthermore, this book examines neo-Victorianism’s relationship with postfeminist media culture and offers an analysis of the politics behind onscreen treatment of Victorian gender roles, family structures, sexuality, and colonial space.