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Rabelais and His World

Author: Mikhail Mikhaĭlovich Bakhtin

Publisher: Indiana University Press


Category: Literary Criticism

Page: 484

View: 294

This classic work by the Russian philosopher and literary theorist Mikhail Bakhtin (1895–1975) examines popular humor and folk culture in the Middle Ages and the Renaissance. One of the essential texts of a theorist who is rapidly becoming a major reference in contemporary thought, Rabelais and His World is essential reading for anyone interested in problems of language and text and in cultural interpretation.

Rabelais and His World

Author: Lambert M. Surhone



Category: History

Page: 124

View: 275

Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. During World War II Mikhail Bakhtin submitted a dissertation on the French Renaissance writer Fran ois Rabelais which was not defended until some years later. The controversial ideas discussed within the work caused much disagreement, and it was consequently decided that Bakhtin be denied his doctorate. Thus, due to its content, Rabelais and Folk Culture of the Middle Ages and Renaissance was not published until 1965, at which time it was given the title, Rabelais and His World. Now a classic of Renaissance studies, Rabelais and His World is considered one of Bakhtin's most important texts, and it is here that Bakhtin explores Rabelais' Gargantua and Pantagruel.Bakhtin declares that, for centuries, Rabelais's book had been misunderstood, and claimed that Rabelais and His World clarified Rabelais's intentions. In Rabelais and His World, Bakhtin concerns himself with the openness of Gargantua and Pantagruel; however, the book itself also serves as an example of such openness.

Mikhail Bakhtin

Author: Katerina Clark

Publisher: Harvard University Press


Category: History

Page: 398

View: 697

Traces the life of Bakhtin, a Russian literary critic recently rediscovered, and discusses his major works on Freud, Dostoevsky, Rabelais, Marxism, and the philosophy of language

Rabelais Carnival

Author: Sam Kinser

Publisher: Univ of California Press


Category: Literary Criticism

Page: 293

View: 839

"Kinser proposes a very persuasive post-Bakhtinian approach to Rabelais's novel and its relation to the carnival. His new historical epistemology, emphasizing as it does the genetic function of an archival 'metatext, ' is compatible with a sophisticated semiotic analysis of the Rabelaisian text. This is a timely, erudite and subtle book which bases its theoretical arguments on solid documentary and textual evidence."--Michel Beaujour, New York University

Corporeal Words

Mikhail Bakhtin's Theology of Discourse

Author: Alexandar Mihailovic

Publisher: Northwestern University Press


Category: Literary Criticism

Page: 291

View: 965

This text explores Mikhail Bakhtin's reliance on the terms and concepts of theology. It begins with an identification of the theological categories and terms recalling Christology in general and Trinitarianism in particular that emerge throughout Bakhtin's long and varied career. Alexander Mihailovic discusses the elaborately wrought subtextual imagery, wordplay, and palpable orality of Bakhtin's theology of discourse, and explores the role that theology plays in supporting Bakhtin's ideas about the anti-hierarchical drift of language and culture.

Rabelais and Bakhtin

Popular Culture in Gargantua and Pantagruel

Author: Richard M. Berrong

Publisher: U of Nebraska Press


Category: Literary Criticism

Page: 156

View: 473

In Rabelais and Bakhtin, Richard M. Berrong demonstrates both the historical and textual weaknesses of the argument advanced by Mikhail Bakhtin and his influential study Rabelais and His World. The publication of Bakhtin's book in the West in the late 1960s brought both Rabelais and Bakhtin to the attention of students interested in the "New Criticism" in literature. Bakhtin agrued that the key to Rabelais's narratives was to be found in their language of popular culture, which was intended to free his readers from the ideological "prison house" of official, establishment discourse; to provide them with a nonofficial perspective from which to view?and combat?the establishment and its institutions. Since the publication of Bakhtin's study, scholars such as Peter Burke, Natalie Zemon Davis, and Carlo Ginzburg have shown that the relationship of the upper classes to popular culture changed in the first half of the sixteenth century. Previously these classes had participated fully in the culture of the people (while adhering to their own), but at that time they undertook to exclude popular culture from their lives and from their world. In his refutation of Bakhtin's thesis, Berrong demonstrates the complex and shifting role of popular culture in Rabelais's narratives. His conclusions should interest not only readers of Gargantua and Pantagruel but all students of the sixteenth century, since the use and exclusion of popular culture is an issue in the study of many of the writers, artists, and composers of the period.

The Rabelais Encyclopedia

Author: Elizabeth A. Chesney

Publisher: Greenwood Publishing Group


Category: Literary Criticism

Page: 293

View: 958

The French humanist Rabelais (ca. 1483-1553) was the greatest French writer of the Renaissance and one of the most influential authors of all time. Though a ribald satire, his Gargantua and Pantagruel offers a broad discussion of religion, philosophy, politics, and education and reflects the issues confronting the 16th century. The first work of its kind, this encyclopedia concisely but comprehensively overviews Rabelais' life and writings. Included are hundreds of entries on his works, characters, and acquaintances, as well as on such topics as religion, humanism, death, warfare, censors and censorship, education, and numerous others. Entries are written by expert contributors and close with recommendations for further reading. The volume closes with a selected, general bibliography.

Information Theory


Publisher: PediaPress




View: 611

Introducing Bakhtin

Author: Sue Vice

Publisher: Manchester University Press


Category: Literary Criticism

Page: 240

View: 601

The Russian critic and theorist Mikhail Bakhtin is once again in favor, his influence spreading across many discourses including literature, film, cultural and gender studies. This book provides the most comprehensive introduction to Bakhtin’s central concepts and terms. Sue Vice illustrates what is meant by such ideas as carnival, the grotesque body, dialogism and heteroglossia. These concepts are then placed in a contemporary context by drawing out the implications of Bakhtin’s writings, for current issues such as feminism and sexuality. Vice’s examples are always practically based on specific texts such as the film Thelma and Louise, Helen Zahavi’s Dirty Weekend and James Kelman's How late it was, how late.


Resurrection, Body and Transformative Practices in Early Christianity

Author: Turid Karlsen Seim

Publisher: Walter de Gruyter


Category: Religion

Page: 407

View: 543

How were ideas and experiences of transformation expressed in early Christianity and early Judaism? This volume explores the social and philosophical frameworks within which transformative ideas such as resurrection and practices of becoming “a new being” were shaped. It also explores the analogies and parameters by which transformation was being observed, noted and asserted. The focus on transformation helps to connect topics that tend to be studied separately, such as cosmology, resurrection, aging, gender, and conversion. The textual material is wide-ranging and there are new readings of core passages. Ideas and experiences of transformations in early Christianity and early Judaism Connects topics that tend to be studied seperately (cosmology, resurrection, aging, gender, conversion) With wide-ranging textual material

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