I can't take care of you anymore. I can't take it. It's like an endless boxing match. Mia is at boarding school. She has access to drugs. They are Martha's. Henry is preparing for art college. He has access to alcohol. From Martha. Martha controls their lives. Martha is their mother. That Face premiered at the Royal Court Theatre, London, in April 2007, and won the TMA Award 2007 for Best New Play. Polly Stenham received both the Charles Wintour Award 2007 and the Critics' Circle Award 2008 for Most Promising Playwright.
The Matter of Money in English Renaissance Literature
Author: David Landreth
Publisher: Oxford University Press
Category: Literary Criticism
Money talked in sixteenth-century England, as money still does today. But what the sixteenth century's gold and silver had to say for itself is strikingly different from the modern discourse of money. As David Landreth demonstrates in The Face of Mammon, the material and historical differences between the coins of the English Renaissance and today's paper and electronic money propel a distinctive and complex assessment of the relation between material substance and human value. Although the sixteenth century was marked by the traumatic emergence of conditions that would prove to be characteristic of the modern economy, the discipline of economics had not been invented to assess those conditions. The Face of Mammon considers how literary texts investigated these unexplained material transformations through attention to the materiality of gold and silver money. In new readings of Spenser's Faerie Queene, Marlowe's Jew of Malta, three plays by Shakespeare-King John, The Merchant of Venice, and Measure for Measure-the poetry of John Donne, and the prose of Thomas Nashe, Landreth argues that these texts situate the act of exchange at the center of a system of "common wealth" that sought to integrate political, ethical, and religious values with material ones, and probe the ways in which market value corrodes that system even as it depends upon it. Joining the methods of material-culture studies to those of economic criticism, The Face of Mammon offers a new account of the historical transformations of the concept of value to scholars of early modern literature, culture, and art, as well as to those interested in economic history.
Coates presents the face in film as a place where transformations begin, reflecting both the experience of modernity and such influential myths as that of Medusa. This is exemplified by a wide range of European and American films, including Ingmar Bergman's Persona .
Like an elegantly chilling postscript to The Metamorphosis, this classic of postwar Japanese literature describes a bizarre physical transformation that exposes the duplicities of an entire world. The narrator is a scientist hideously deformed in a laboratory accident–a man who has lost his face and, with it, his connection to other people. Even his wife is now repulsed by him. His only entry back into the world is to create a mask so perfect as to be undetectable. But soon he finds that such a mask is more than a disguise: it is an alternate self–a self that is capable of anything. A remorseless meditation on nature, identity and the social contract, The Face of Another is an intellectual horror story of the highest order. From the Trade Paperback edition.
Using the “photovoice” technique—a method that asks subjects to photograph what they feel represents their world—this enlightening visual research reveals the everyday realities of poverty through the eyes of those most affected by it. Intended for teachers, psychologists, anthropologists, and social and community workers, this unique resource offers insight into how communities are able to cope with the challenges of poverty and the impact of HIV and AIDS. Emphasizing the power and vital presence of hope, the photographs show how the pupils rise above their circumstances against the odds.
From the author of In Farleigh Field... Molly Murphy—Molly Sullivan, now that she and Daniel are finally married—is bored. Having given up her detective agency when she married, she now finds that her life is much less exciting, her days an endless stretch of housekeeping and chores. But when Molly secretly attends a suffragist meeting with her friends Sid and Gus and meets a shy, distracted woman who claims to live in a haunted house, everything is about to change. Rhys Bowen's short story The Face in the Mirror offers just the taste of mystery and mayhem fans will need to tide them over until the next Molly Murphy novel.
William Shakespeare famously wrote that "a face is like a book," and common wisdom has it that our faces reveal our deep-seated emotions. But what if the reverse were also true? What if our facial expressions set our moods instead of revealing them? What if there were actual science to support the exhortation, "smile, be happy?" Dermatologic surgeon Eric Finzi has been studying that question for nearly two decades, and in this ground breaking book he marshals evidence suggesting that our facial expressions are not secondary to, but rather a central driving force of, our emotions. Based on clinical experience and original research, Dr. Finzi shows how changing a person's face not only affects their relationships with others but also with themselves. In his studies using Botox, he has shown how inhibiting the frown of clinically depressed patients leads many to experience relief. This work is a dramatic departure from the neuroscience-based thinking on emotions that tends to view emotions solely as the result of neurotransmitters in the brain. Part absorbing medical narrative, part think piece on the nature of emotion, this is a bold call for us to rethink the causes of unhappiness.
Inspired by Alberto Spada's drawings, inventive author Saria Tagliaferri made a collection of children's books, dealing with diverse basic aspects of human life, such as teeth, emotions or professions. Page after Page, the Mockimonsters tell the incredible story of how our faces show our feelings. Colorful images, the apparent simplicity of the unique design in combination with tese different issues makes this new collection of board books a must for parents and kids.
This volume studies how the literary elements in the Qur'an function in conveying its religious message effectively. It is divided into three parts. Part one includes studies of the whole Qur'an or large segments of it belonging to one historical period of its revelation; these studies concentrate on the analysis of its language, its style, its structural composition, its aesthetic characteristics, its rhetorical devices, its imagery, and the impact of these elements and their significance. Part two includes studies on individual suras of the Qur'an, each of which focuses on the sura's literary elements and how they produce meaning; each also explores the structure of this meaning and the coherence of its effect. Part three includes studies on Muslim appreciations of the literary aspects of the Qur'an in past generations and shows how modern linguistic, semantic, semiotic, and literary scholarship can add to their contributions.