This collection introduces and develops Lacanian thought concerning the relations among language, subjectivity, and society. Lacanian Theory of Discourse provides an account of how language both interacts with and constitutes structures of subjectivity, producing specific attitudes and behaviors as well as significant social effects.
Book Three in the New York Times bestselling Cold Equations trilogy set in the expanded universe of Star Trek: The Next Generation! AT THE CENTER OF THE GALAXY… A planet-sized Machine of terrifying power and unfathomable purpose hurls entire star systems into a supermassive black hole. Wesley Crusher, now a full-fledged Traveler, knows the Machine must be stopped…but he has no idea how. Wesley must enlist the aid of Captain Jean-Luc Picard and the Enterprise crew, who also fail to halt the unstoppable alien juggernaut’s destructive labors. But they soon divine the Machine’s true purpose—a purpose that threatens to exterminate all life in the Milky Way Galaxy. With time running out, Picard realizes he knows of only one person who might be able to stop the Machine in time to avert a galactic catastrophe—if only he had any idea how to find him…
Marie, a sixty-three-year old Belgian woman, has been totally blind since the age of fifty-seven. But now, thanks to electrodes implanted around her right optic nerve, she can see lights, shapes, and colors again. Marie is one of a handful of people around the world who have had computer chips implanted in their bodies to extend, enhance, or repair their senses. The idea of actually melding man and machine still seems futuristic, unlikely and a little scary. But in The Body Electric, James Geary examines the startling possibilities opened up by the merger of the biological and the technological. This remarkable convergence holds the promise of restoring sight to the blind and mobility to the paralyzed. It might also provide us with bionic senses, such as the ability to see infrared radiation or feel objects at a distance. By linking neurons in the brain directly to silicon chips, scientists are also exploring the possibility of creating virtual eyes, ears, and limbs on the Internet and allowing people to control appliances by thought alone. Machines, too, are getting silicon senses. Researchers are endowing computers with the ability to see, hear, smell, taste, touch--and conceivably think. The Body Electric offers an accessible and astute survey of this exciting area of research with its potential commercial, medical and military applications. Drawing on fields as diverse as artificial intelligence and biology, The Body Electric asks: Are you any less "you" after a bionic implant? If all of our senses are electronically enhanced how will we tell the difference between virtual reality and the actual world? Will it matter? The merger of our technology and ourselves is already beginning to change the way we see, hear, smell, taste, touch, and think about the world, opening the doors of perception just another crack.
The Body Electric tells the fascinating story of our bioelectric selves. Robert O. Becker, a pioneer in the filed of regeneration and its relationship to electrical currents in living things, challenges the established mechanistic understanding of the body. He found clues to the healing process in the long-discarded theory that electricity is vital to life. But as exciting as Becker's discoveries are, pointing to the day when human limbs, spinal cords, and organs may be regenerated after they have been damaged, equally fascinating is the story of Becker's struggle to do such original work. The Body Electric explores new pathways in our understanding of evolution, acupuncture, psychic phenomena, and healing.
Singing the Body Electric explores the relationship between the human voice and technology, offering startling insights into the ways in which technological mediation affects our understanding of the voice, and more generally, the human body. From the phonautograph to magnetic tape and now to digital sampling, Miriama Young visits particular musical and literary works that define a century-and-a-half of recorded sound. She discusses the way in which the human voice is captured, transformed or synthesised through technology. This includes the sampled voice, the mechanical voice, the technologically modified voice, the pliable voice of the digital era, and the phenomenon by which humans mimic the sounding traits of the machine. The book draws from key electro-vocal works spanning a range of genres - from Luciano Berio's Thema: Omaggio a Joyce to Radiohead, from Alvin Lucier's I Am Sitting in a Room, to Björk, and from Pierre Henry's Variations on a Door and a Sigh to Christian Marclay's Maria Callas. In essence, this book transcends time and musical style to reflect on the way in which the machine transforms our experience of the voice. The chapters are interpolated by conversations with five composers who work creatively with the voice and technology: Trevor Wishart, Katharine Norman, Paul Lansky, Eduardo Miranda and Bora Yoon. This book is an interdisciplinary enterprise that combines music aesthetics and musical analysis with literature and philosophy.