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Music Theory from Zarlino to Schenker

A Bibliography and Guide

Author: David Damschroder

Publisher: Pendragon Press

ISBN:

Category: Music

Page: 522

View: 872

Johann Joseph Fux and the Music of the Austro-Italian Baroque

Author: Harry White

Publisher: Routledge

ISBN:

Category: Music

Page: 352

View: 165

Johann Joseph Fux's reputation as a theorist and the long-term influence of his theoretical and pedagogical work have ensured that his name is widely known in music circles in the West. His pre-eminence as the foremost native-born composer of the Austrian Baroque has resulted in attention being focused on his work as an exemplum of virtually every genre, sacred or secular of Austro-Italian early eighteenth-century music. The publication of the Fux Gesamtausgabe has greatly enhanced the reputation of his music and the essays in this volume will develop our understanding of Fux, his music, and his place in musical history.

Reader's Guide to Music

History, Theory and Criticism

Author: Murray Steib

Publisher: Routledge

ISBN:

Category: Music

Page: 928

View: 218

The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).

Polyphonic Minds

Music of the Hemispheres

Author: Peter Pesic

Publisher: MIT Press

ISBN:

Category: Music

Page: 344

View: 485

An exploration of polyphony and the perspective it offers on our own polyphonic brains.

Study of Counterpoint

Author: Johann Joseph Fux

Publisher: W. W. Norton & Company

ISBN:

Category: Music

Page: 160

View: 963

The essence of the most celebrated book on counterpoint, Fux's Gradus ad Parnassum. The most celebrated book on counterpoint is Fux's great theoretical work ?Gradus ad Parnassum.? Since its appearance in 1725, it has been used by and has directly influenced the work of many of the greatest composers. J.S. Bach held it in high esteem, Leopold Mozart trained his famous son from its pages, Haydn worked out every lesson with meticulous care, and Beethoven condensed it into an abstract for ready reference. An impressive list of nineteenth-century composers subscribed to its second edition, and in more recent times Paul Hindemith said, "Perhaps the craft of composition would really have fallen into decline if Fux's ?Gradus? had not set up a standard." Originally written in Latin, ?Steps to Parnassus? was translated into the principal European languages, but the only English version was a free paraphrase published in 1886. The present translation by Alfred Mann is therefore the first faithful rendering in English from the original Latin and presents the essence of Fux's teachings. For its distinction as a classic and its undiminished usefulness for the modern student it is a privilege to offer this fine translation in the Norton Library.

An Introduction to Sixteenth Century Counterpoint and Palestrina's Musical Style

Author: Robert Stewart

Publisher: Scarecrow Press

ISBN:

Category: Music

Page: 223

View: 665

Presents a systematic approach to polyphonic composition in the ecclesiastical style of Palestrina. It is designed for use in beginning and intermediate level courses in modal counterpoint and helps students develop a systematic and reliable method to compare individual composers and stylistic trends of the Renaissance.

Music and Culture in Eighteenth-Century Europe

A Source Book

Author: Enrico Fubini

Publisher: University of Chicago Press

ISBN:

Category: Music

Page: 421

View: 631

This book collects key writings about eighteenth century music . It brings together for the first time in one place, a wide selection of essential documents not only about music theory and practice, but about the historical, philosophical, aesthetic, ideological, and literary debates which held sway during a century when musical thought and criticism gained a privileged position in the culture of Europe. Enrico Fubini offers a sampling of English, French, German, and Italian writings on topics ranging from Enlightenment rationalism and the theories of harmony to German musical culture and the polemics on J. S. Bach. Organized by topic and historical period these selections go beyond writings dealing exclusively with specific musical works to larger issues of theory and the reception of musical ideas in the culture at large. The selections are from books, journals, newspapers, pamphlets, and letters; the contributors include Diderot, Rousseau, Voltaire, Grimm, Alfieri, Rameau, Quantz, Gluck, Tartini, Leopold and W. A. Mozart, and C. P .E. Bach. Many are translated here for the first time. With general and chapter introductions, restored footnotes, and other valuable annotations, and a biographical appendix, this anthology will interest music scholars, students, and teachers.

National Union Catalog

A Cumulative Author List Representing Library of Congress Printed Cards and Titles Reported by Other American Libraries

Author:

Publisher:

ISBN:

Category: Union catalogs

Page:

View: 462

Includes entries for maps and atlases.

Copyright - Dionysius

Author:

Publisher:

ISBN:

Category:

Page:

View: 587

Daniel Gottlob Türk on the Role of the Organist in Worship (1787)

Author: Daniel Gottlob Türk

Publisher:

ISBN:

Category: Music

Page: 171

View: 784

A unique source of information about church music practice, the improvisation of preludes, the role of the organ in relation to the liturgy, and thoroughbass, this book holds an important place in music history.

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