Author: Daniel Defoe
Category: Fantasy literature, English
"A selection of satires, fantasies, and supernatural writings in poetry and prose by Daniel Defoe. Fully reset with scholarly annotations of interest to students of eighteenth-century politics, religion, and literature"--Provided by publisher.
A Critical Biography
Author: John Richetti
Publisher: John Wiley & Sons
Category: Biography & Autobiography
The Life of Daniel Defoe examines the entire range of Defoe’s writing in the context of what is known about his life and opinions. Features extended and detailed commentaries on Defoe’s political, religious, moral, and economic journalism, as well as on all of his narrative fictions, including Robinson Crusoe Places emphasis on Defoe’s distinctive style and rhetoric Situates his work within the precise historical circumstances of the eighteenth-century in which Defoe was an important and active participant Now available in paperback
The English Novel from its Origins to the Present Day
Author: Patrick Parrinder
Publisher: OUP Oxford
Category: Literary Criticism
What is 'English' about the English novel, and how has the idea of the English nation been shaped by the writers of fiction? How do the novel's profound differences from poetry and drama affect its representation of national consciousness? Nation and Novel sets out to answer these questions by tracing English prose fiction from its late medieval origins through its stories of rogues and criminals, family rebellions and suffering heroines, to the present-day novels of immigration. Major novelists from Daniel Defoe to the late twentieth century have drawn on national history and mythology in novels which have pitted Cavalier against Puritan, Tory against Whig, region against nation, and domesticity against empire. The novel is deeply concerned with the fate of the nation, but almost always at variance with official and ruling-class perspectives on English society. Patrick Parrinder's groundbreaking new literary history outlines the English novel's distinctive, sometimes paradoxical, and often subversive view of national character and identity. This sophisticated yet accessible assessment of the relationship between fiction and nation will set the agenda for future research and debate.
Author: Anne Norton
Publisher: Yale University Press
Category: Political Science
"Rejecting the antiquated and stultifying models in textbooks on method, in courses on methodology, championed by the self-appointed gatekeepers of a narrow and parochial political science, Norton opens the gates to more new practices, new principles, new questions, more methods, and more demanding ethical and scientific criteria.
The Autoethnographic Work of Nineteenth-Century British Novels
Author: James Buzard
Publisher: Princeton University Press
Category: Literary Criticism
This book gives an ambitious revisionist account of the nineteenth-century British novel and its role in the complex historical process that ultimately gave rise to modern anthropology's concept of culture and its accredited researcher, the Participant Observer. Buzard reads the great nineteenth-century novels of Charles Dickens, Charlotte Brontë, George Eliot, and others as "metropolitan autoethnographies" that began to exercise and test the ethnographic imagination decades in advance of formal modern ethnography--and that did so while focusing on Western European rather than on distant Oriental subjects. Disorienting Fiction shows how English Victorian novels appropriated and anglicized an autoethnographic mode of fiction developed early in the nineteenth century by the Irish authors of the National Tale and, most influentially, by Walter Scott. Buzard demonstrates that whereas the fiction of these non-English British subjects devoted itself to describing and defending (but also inventing) the cultural autonomy of peripheral regions, the English novels that followed them worked to imagine limited and mappable versions of English or British culture in reaction against the potential evacuation of cultural distinctiveness threatened by Britain's own commercial and imperial expansion. These latter novels attempted to forestall the self-incurred liabilities of a nation whose unprecedented reach and power tempted it to universalize and export its own customs, to treat them as simply equivalent to a globally applicable civilization. For many Victorian novelists, a nation facing the prospect of being able to go and to exercise its influence just about anywhere in the world also faced the danger of turning itself into a cultural nowhere. The complex autoethnographic work of nineteenth-century British novels was thus a labor to disorient or de-globalize British national imaginings, and novelists mobilized and freighted with new significance some basic elements of prose narrative in their efforts to write British culture into being. Sure to provoke debate, this book offers a commanding reassessment of a major moment in the history of British literature.
A Satire - Primary Source Edition
Author: Daniel Defoe
Publisher: Nabu Press
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The True-born Englishman: A Satire Daniel Defoe A. Mann, 1836
Author: Katherine Sturtevant
Publisher: Farrar, Straus and Giroux (BYR)
Category: Young Adult Fiction
In Restoration London, sixteen-year-old Meg Moore is something of an anomaly. Unlike other girls her age, Meg pores over books. She spends long hours conversing with the famous authors and poets who visit her father's bookstore, and even writes her own stories, laboring over every word until her hand is black with ink. Without warning, however, Meg comes to learn exactly how powerful words can be. The day her best friend's brother Edward sets sail for Italy, Meg scoffs at his attempts at romance by answering him with a thoughtless jest. Soon news travels to London that Edward's ship has been captured and he has been sold as a slave in North Africa – and Meg cannot shake the thought that her cruel words are the cause. Now Meg must use her fiery language to bring Edward home, imploring her fellow Londoners to give all that they can to buy Edward's freedom. But once Meg learns to direct the power behind her words, will she be able to undo the damage she has caused, and write freely the stories that she longs to put to paper? This inspired sequel to At the Sign of the Star continues Meg's story with elegance and élan. A True and Faithful Narrative is a 2007 Bank Street - Best Children's Book of the Year.