In a future where the Population Police enforce the law limiting a family to only two children, Luke, an illegal third child, has lived all his twelve years in isolation and fear on his family's farm in this start to the Shadow Children series from Margaret Peterson Haddix. Luke has never been to school. He's never had a birthday party, or gone to a friend's house for an overnight. In fact, Luke has never had a friend. Luke is one of the shadow children, a third child forbidden by the Population Police. He's lived his entire life in hiding, and now, with a new housing development replacing the woods next to his family's farm, he is no longer even allowed to go outside. Then, one day Luke sees a girl's face in the window of a house where he knows two other children already live. Finally, he's met a shadow child like himself. Jen is willing to risk everything to come out of the shadows -- does Luke dare to become involved in her dangerous plan? Can he afford not to?
It was awful. All those eyes, all looking at him. It was straight out of Luke's worst nightmares. Panic rooted him to the spot, but every muscle in his body was screaming for him to run, to hide anywhere he could. For twelve years his entire life he'd had to hide. To be seen was death. "Don't!" he wanted to scream. "Don't look at me! Don't report me! Please!" But the muscles that controlled his mouth were as frozen as the rest of him. The tiny part of his mind that wasn't flooded with panic knew that that was good -- now that he had a fake I.D., the last thing he should do was act like a boy who's had to hide. But to act normal, he needed to move, to obey the man at the front and sit down. And he couldn't make his body do that, either. -- from Among the Impostors Luke Garner is terrified. Out of hiding for the first time in his life, he knows that any minute one of his new classmates at Hendricks School for Boys could discover his secret: that he's a third child passing as the recently deceased Lee Grant. And in a society where it's illegal for families to have more than two children, being a third child means certain death at the hands of the dreaded Population Police. His first experience outside the safety of his home is bewildering. There's not a single window anywhere in the school; Luke can't tell his classmates apart (even as they subject him to brutal hazing); and the teachers seem oblivious to it all. Desperate to fit in, Luke endures the confusion and teasing until he discovers an unlocked door to the outside, and a chance to understand what is really going on. But to take this chance -- to find out the secrets of Hendricks -- Luke will need to put aside his fears and discover a courage that a lifetime in hiding couldn't thwart. Once again, best-selling author Margaret Peterson Haddix delights her fans with this spine-tingling account of an all-too-possible future. Among the Impostors is a worthy companion to Among the Hidden and a heart-stopping thriller in its own right.
Government regulations limit families to two children each, so Luke, an illegal third-born, must live his life in secret, hidden in his family's farmhouse. Then he joins Jen, another "shadow child," for a chance to come out into the light.
The "Clipzone" is a place deep inside San Francisco's Golden Gate Park, an area which harbors a society of teenagers who have divided themselves into secluded, private camps. Each is a surrogate family that supports its own unique rules far away from the prying eyes of everyday society. In many places on the streets bordering San Francisco's largest park they hang in small groups searching for ways to make a living, creating stories the average person would never dream of; painting a short teen as a green dwarf, gluing antlers to his head and frightening tourists out of their wallets. Running a radio controlled animal down the Panhandle and many others not found in normal walks of life. This is a look inside San Francisco very few people get the opportunity to see. Carlton Basil has lead his camp to a startling new discovery, a windfall of money and has caught the unwanted attention of nearby law enforcement, then a special government task gets involved and divides Fringe Camp into individual chase scenes. Donald Muir was raised in the forested peninsula of lower Michigan, studied in California and settled there with his wife and 2 children. Carlton discovers his true intellectual capabilities when his family is threatened and uses a combination of street smarts and education to rescue them all.
This collection of original critical essays explores how women periodical editors in the long 19th century redefined women's identities and roles, and influenced public opinion about such issues as abolition and woman suffrage.
From the award-winning author of Catching the Wind, which Publishers Weekly called “unforgettable” and a “must-read,” comes another gripping time-slip novel about hidden treasure, a castle, and ordinary people who resisted evil in their own extraordinary way. The year is 1938, and as Hitler’s troops sweep into Vienna, Austrian Max Dornbach promises to help his Jewish friends hide their most valuable possessions from the Nazis, smuggling them to his family’s summer estate near the picturesque village of Hallstatt. He enlists the help of Annika Knopf, his childhood friend and the caretaker’s daughter, who is eager to help the man she’s loved her entire life. But when Max also brings Luzia Weiss, a young Jewish woman, to hide at the castle, it complicates Annika’s feelings and puts their entire plan—even their very lives—in jeopardy. Especially when the Nazis come to scour the estate and find both Luzia and the treasure gone. Eighty years later, Callie Randall is mostly content with her quiet life, running a bookstore with her sister and reaching out into the world through her blog. Then she finds a cryptic list in an old edition of Bambi that connects her to Annika’s story . . . and maybe to the long-buried story of a dear friend. As she digs into the past, Callie must risk venturing outside the safe world she’s built for a chance at answers, adventure, and maybe even new love.
In the London of Shakespeare and William Byrd, Thomas East was the premier, often exclusive, printer of music. As he tells the story of this influential figure in early English music publishing, Jeremy Smith also offers a vivid overall portrait of a bustling and competitive industry, in which composers, patrons, publishers, and tradesmen sparred for creative control and financial success. It provides a truly comprehensive study of music publishing and a new way of understanding the place of musical culture in Elizabethan times. In addition, Smith has compiled the first complete chronology of East's music prints, based on both bibliographical and paper-based evidence.
Management and organization research has rediscovered individual agency, innovation and entrepreneurship. As such, there is a risk of overlooking the power of self-reinforcing processes in and among organizations. This volume redirects attention to these processes, including: escalating commitment, organizational imprinting and path dependence.