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Broadcasting Modernism

Author: Debra Rae Cohen

Publisher:

ISBN:

Category: Literary Criticism

Page: 340

View: 743

The contributors argue that radio led to changes in textual and generic forms. Modernist authors embraced the emerging medium, creating texts that were to be heard but not read, incorporating the device into their stories, and using it to publicize their work. They saw in radio the same spirit of experimentation that animated modernism itself.

Radio Modernism

Literature, Ethics, and the BBC, 1922–1938

Author: Todd Avery

Publisher: Routledge

ISBN:

Category: Literary Criticism

Page: 166

View: 138

Radio Modernism marries the fields of radio studies and modernist cultural historiography to the recent 'ethical turn' in literary and cultural studies to examine how representative British writers negotiated the moral imperative for public service broadcasting that was crafted, embraced, and implemented by the BBC's founders and early administrators. Weaving together the institutional history of the BBC and developments in ethical philosophy as mediated and forged by writers such as T. S. Eliot, H. G. Wells, E. M. Forster, and Virginia Woolf, Todd Avery shows how these and other prominent authors' involvement with radio helped to shape the ethical contours of literary modernism. In so doing, Avery demonstrates the central role radio played in the early dissemination of modernist art and literature, and also challenges the conventional assertion that modernists were generally elitist and anti-democratic. Intended for readers interested in the fields of media and cultural studies and modernist historiography, this book is remarkable in recapturing for a twenty-first-century audience the interest, fascination, excitement, and often consternation that British radio induced in its literary listeners following its inception in 1922.

Special Issue: Broadcast Traces/tracing Broadcasting

Modernism and Radio

Author: Debra Rae Cohen

Publisher:

ISBN:

Category:

Page:

View: 791

Broadcasting in the Modernist Era

Author: Matthew Feldman

Publisher: A&C Black

ISBN:

Category: Literary Criticism

Page: 296

View: 999

The era of literary modernism coincided with a dramatic expansion of broadcast media throughout Europe, which challenged avant-garde writers with new modes of writing and provided them with a global audience for their work. Historicizing these developments and drawing on new sources for research Â? including the BBC archives and other important collections - Broadcasting in the Modernist Era explores the ways in which canonical writers engaged with the new media of radio and television. Considering the interlinked areas of broadcasting 'culture' and politics' in this period, the book engages the radio writing and broadcasts of such writers as Virginia Woolf, W. B. Yeats, Ezra Pound, T. S. Eliot, James Joyce, George Orwell, E. M. Forster, J. B. Priestley, Dorothy L. Sayers, David Jones and Jean-Paul Sartre. With chapters by leading international scholars, the volume's empirical-based approach aims to open up new avenues for understandings of radiogenic writing in the mass-media age.

Audio Drama Modernism

The Missing Link between Descriptive Phonograph Sketches and Microphone Plays on the Radio

Author: Tim Crook

Publisher: Springer Nature

ISBN:

Category:

Page:

View: 242

Popular Modernism and Its Legacies

From Pop Literature to Video Games

Author: Scott Ortolano

Publisher: Bloomsbury Publishing USA

ISBN:

Category: Literary Criticism

Page: 296

View: 176

Popular Modernism and Its Legacies reconfigures modernist studies to investigate how modernist concepts, figures, and aesthetics continue to play essential--though often undetected--roles across an array of contemporary works, genres, and mediums. Featuring both established and emerging scholars, each of the book's three sections offers a distinct perspective on popular modernism. The first section considers popular modernism in periods historically associated with the movement, discovering hidden connections between traditional forms of modernist literature and popular culture. The second section traces modernist genealogies from the past to the contemporary era, ultimately revealing that immensely popular contemporary works, artists, and genres continue to engage and thereby renew modernist aesthetics and values. The final section moves into the 21st century, discovering how popular works invoke modernist techniques, texts, and artists to explore social and existential quandaries in the contemporary world. Concluding with an afterword from noted scholar Faye Hammill, Popular Modernism and Its Legacies reshapes the study of modernism and provides new perspectives on important works at the center of our cultural imagination.

Broadcasting Modernity

Cuban Commercial Television, 1950-1960

Author: Yeidy M. Rivero

Publisher: Duke University Press

ISBN:

Category: Performing Arts

Page: 264

View: 893

The birth and development of commercial television in Cuba in the 1950s occurred alongside political and social turmoil. In this period of dramatic swings encompassing democracy, a coup, a dictatorship, and a revolution, television functioned as a beacon and promoter of Cuba’s identity as a modern nation. In Broadcasting Modernity, television historian Yeidy M. Rivero shows how television owners, regulatory entities, critics, and the state produced Cuban modernity for television. The Cuban television industry enabled different institutions to convey the nation's progress, democracy, economic abundance, high culture, education, morality, and decency. After nationalizing Cuban television, the state used it to advance Fidel Castro's project of creating a modern socialist country. As Cuba changed, television changed with it. Rivero not only demonstrates television's importance to Cuban cultural identity formation, she explains how the medium functions in society during times of radical political and social transformation.

Democratic Communications

Formations, Projects, Possibilities

Author: James Frederick Hamilton

Publisher:

ISBN:

Category: Language Arts & Disciplines

Page: 335

View: 649

This is the first book to take issue with the long-standing assumptions about alternative media and democratic communications and place them in a detailed cultural and historical context. Ranging from prophecy in sixteenth-century England to the self-managed projects of critical literacy and social change of today, it assesses the historical heritage, present conditions, and future possibilities of today's remade media landscape for democratic communications.

A London Bibliography of the Social Sciences: 6th suppl

Author:

Publisher:

ISBN:

Category: Periodicals

Page:

View: 899

Complex Harmonies

United States Radio Culture, Modern Literature, and National Identity, 1919-1945

Author: Jason R. Crum

Publisher:

ISBN:

Category: Nationalism

Page: 438

View: 836

Radio Empire

The BBC’s Eastern Service and the Emergence of the Global Anglophone Novel

Author: Daniel Ryan Morse

Publisher: Columbia University Press

ISBN:

Category: Literary Criticism

Page:

View: 919

Initially created to counteract broadcasts from Nazi Germany, the BBC’s Eastern Service became a cauldron of global modernism and an unlikely nexus of artistic exchange. Directed at an educated Indian audience, its programming provided remarkable moments: Listeners in India heard James Joyce reading from Finnegans Wake on the eve of independence, as well as the literary criticism of E. M. Forster and the works of Indian writers living in London. In Radio Empire, Daniel Ryan Morse demonstrates the significance of the Eastern Service for global Anglophone literature and literary broadcasting. He traces how modernist writers used radio to experiment with form and introduce postcolonial literature to global audiences. While innovative authors consciously sought to incorporate radio’s formal features into the novel, literature also exerted a reciprocal and profound influence on twentieth-century broadcasting. Reading Joyce and Forster alongside Attia Hosain, Mulk Raj Anand, and Venu Chitale, Morse demonstrates how the need to appeal to listeners at the edges of the empire pushed the boundaries of literary work in London, inspired high-cultural broadcasting in England, and formed an invisible but influential global network. Adding a transnational perspective to scholarship on radio modernism, Radio Empire demonstrates how the history of broadcasting outside of Western Europe offers a new understanding of the relationship between colonial center and periphery.

New Media Poetics

Contexts, Technotexts, and Theories

Author: Adalaide Kirby Morris

Publisher: Mit Press

ISBN:

Category: Literary Criticism

Page: 425

View: 392

New media poetry—poetry composed, disseminated, and read on computers—exists in various configurations, from electronic documents that can be navigated and/or rearranged by their "users" to kinetic, visual, and sound materials through online journals and archives like UbuWeb, PennSound, and the Electronic Poetry Center. Unlike mainstream print poetry, which assumes a bounded, coherent, and self-conscious speaker, new media poetry assumes a synergy between human beings and intelligent machines. The essays and artist statements in this volume explore this synergy's continuities and breaks with past poetic practices, and its profound implications for the future. By adding new media poetry to the study of hypertext narrative, interactive fiction, computer games, and other digital art forms, New Media Poetics extends our understanding of the computer as an expressive medium, showcases works that are visually arresting, aurally charged, and dynamic, and traces the lineage of new media poetry through print and sound poetics, procedural writing, gestural abstraction and conceptual art, and activist communities formed by emergent poetics. Contributors: Giselle Beiguelman, John Cayley, Alan Filreis, Loss Pequeno Glazier, Alan Golding, Kenneth Goldsmith, N. Katherine Hayles, Cynthia Lawson, Jennifer Ley, Talan Memmott, Adalaide Morris, Carrie Noland, Marjorie Perloff, William Poundstone, Martin Spinelli, Stephanie Strickland, Brian Kim Stefans, Barrett Watten, Darren Wershler-Henry

Broadcasting Modernity

Cuban Commercial Television, 1950-1960

Author: Yeidy M. Rivero

Publisher: Duke University Press Books

ISBN:

Category: Performing Arts

Page: 264

View: 962

The birth and development of commercial television in Cuba in the 1950s occurred alongside political and social turmoil. In this period of dramatic swings encompassing democracy, a coup, a dictatorship, and a revolution, television functioned as a beacon and promoter of Cuba’s identity as a modern nation. In Broadcasting Modernity, television historian Yeidy M. Rivero shows how television owners, regulatory entities, critics, and the state produced Cuban modernity for television. The Cuban television industry enabled different institutions to convey the nation's progress, democracy, economic abundance, high culture, education, morality, and decency. After nationalizing Cuban television, the state used it to advance Fidel Castro's project of creating a modern socialist country. As Cuba changed, television changed with it. Rivero not only demonstrates television's importance to Cuban cultural identity formation, she explains how the medium functions in society during times of radical political and social transformation.

Woolf Studies Annual

Author:

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Category:

Page:

View: 679

Modernism, Alienation and Media Behaviour

Author: Sai Prasad Alahari

Publisher:

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Category: Alienation (Social psychology)

Page: 155

View: 205

American Buildings and Their Architects: The impact of European modernism in the mid-twentieth century

Author: William Harvey Pierson

Publisher:

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Category: Architects

Page:

View: 828

American buildings and their architects

the impact of European modernism in the mid-twentieth century

Author: William H. Jordy

Publisher:

ISBN:

Category: Architects

Page: 469

View: 743

This book forms part of a four-volume work which provides an architectural analysis and evaluation of American buildings from colonial times to about 1960. Volumes 4 and 5 concentrate on buildings in the late 19th century to the 1960s.

Japanese Modernism

Author: Amar Lahiri

Publisher:

ISBN:

Category: Japan

Page: 223

View: 513

The Rhetoric of Modernism: Le Corbusier as a Lecturer

Author: Tim Benton

Publisher: Birkhäuser

ISBN:

Category: Architecture

Page: 247

View: 357

Le Corbusier presented his work to the world in his lectures. In this volume, the numerous excerpts, preliminary notes, accompanying drawings, and photographs that Le Corbusier produced are commented by one of the leading experts on the great architect. The final third of the book reproduces five pivotal lectures.

Gender and Modernity

Rereading Japanese Women's Magazines

Author: Ulrike Wöhr

Publisher:

ISBN:

Category: Mass media and women

Page: 187

View: 713

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