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Cultural Policy and Socialist France

Author: David Wachtel

Publisher: Praeger


Category: Political Science

Page: 114

View: 615

The past fifteen years have seen a major evolution in French society and the way it views culture. Cultural Policy and Socialist France offers a multi-faceted approach to determining what role the Socialist Party has had in that change through a detailed evaluation of the policies of the Ministry of Culture under President Francois Mitterrand and Minister of Culture Jack Lang.

The Politics of Fun

Cultural Policy and Debate in Contemporary France

Author: David Looseley

Publisher: Berg Pub Limited


Category: Political Science

Page: 279

View: 539

This study considers contemporary policies for the arts in France and the cultural and political issues they have raised. The author concentrates mainly on the Mitterrand years and the various influences which marked them.

Theatre and the New Cultural Policy of France's Socialist Government

Author: Maria Shevtsova



Category: Theater and state

Page: 40

View: 116

French Cultural Policy Debates

A Reader

Author: Jeremy Ahearne

Publisher: Routledge


Category: Social Science

Page: 240

View: 880

Since the foundation in 1959 of the Ministry of Culture, cultural policy in France has enjoyed a profile unparalleled in any other country. French Cultural Policy Debates: A Reader makes available the key contributions to a debate which has not only focused on the precise modes of political intervention in cultural production, but has also provided a forum for the discussion of much wider social and political issues.

The Politics of Cultural Policy in France

Author: K. Eling

Publisher: Springer


Category: History

Page: 226

View: 500

The Politics of Cultural Policy in France offers a lively and iconoclastic account of cultural policy-making in France. Focusing on the policies of the Socialist governments of 1981-86 and 1988-93, the book suggests that policy towards the arts was shaped less by an all-powerful state than by influential professional interest groups. In addition to presenting unusual insights into a policy area which has rarely been studied by political science, The Politics of Cultural Policy in France thus provides significant revisions to conventional views of relations between the state and civil society in France.

Cultural Policy in France

A Study of Mitterrand's Socialist Experiment and Cultural Project

Author: Paul V. Dionne



Category: France

Page: 378

View: 860

Cultural Policy, Work and Identity

The Creation, Renewal and Negotiation of Professional Subjectivities

Author: Jonathan Paquette

Publisher: Routledge


Category: Social Science

Page: 240

View: 894

How have cultural policies created new occupations and shaped professions? This book explores an often unacknowledged dimension of cultural policy analysis: the professional identity of cultural agents. It analyses the relationship between cultural policy, identity and professionalism and draws from a variety of cultural policies around the world to provide insights on the identity construction processes that are at play in cultural institutions. This book reappraises the important question of professional identities in cultural policy studies, museum studies and heritage studies. The authors address the relationship between cultural policy, work and identity by focusing on three levels of analysis. The first considers the state, the creativity of the power relationship established in cultural policies and the power which structures the symbolic order of cultural work. The second presents community in the cultural policy process, society and collective action, whether it is through the creation of institutions for arts and heritage profession or through resistance to state cultural policies. The third examines the experience of cultural policy by the professional. It illustrates how cultural policy is both a set of contingencies that shape possibilities for professionals, as much as it is a basis for identification and identity construction. The eleven authors in this unique book draw on their experience as artists and researchers from a range of countries, including France, Canada, United Kingdom, United States, and Sweden.

Fred Forest's Utopia

Media Art and Activism

Author: Michael F. Leruth

Publisher: MIT Press


Category: Social Science

Page: 264

View: 490

“France's most famous unknown artist,” the innovative media provocateur Fred Forest, precursor of Eduardo Kac, Jodi, the Yes Men, RT Mark, and the Guerilla Girls. The innovative French media artist and prankster-provocateur Fred Forest first gained notoriety in 1972 when he inserted a small blank space in Le Monde, called it 150 cm2 of Newspaper (150 cm2 de papier journal), and invited readers to fill in the space with their own work and mail their efforts to him. In 1977, he satirized speculation in both the art and real estate markets by offering the first parcel of officially registered “artistic square meters” of undeveloped rural land for sale at an art auction. Although praised by leading media theorists—Vilém Flusser lauded Forest as “the artist who pokes holes in media”—Forest's work has been largely ignored by the canon-making authorities. Forest calls himself “France's most famous unknown artist.” In this book, Michael Leruth offers the first book-length consideration of this iconoclastic artist, examining Forest's work from the 1960s to the present. Leruth shows that Forest chooses alternative platforms (newspapers, mock commercial ventures, video-based interactive social interventions, media hacks and hybrids, and, more recently, the Internet) that are outside the exclusive precincts of the art world. A fierce critic of the French contemporary art establishment, Forest famously sued the Centre Pompidou in 1994 over its opaque acquisition practices. After making foundational contributions to Sociological Art in the 1970s and the Aesthetics of Communication in the 1980s, the pioneering Forest saw the Internet as another way for artists to bypass the art establishment in the 1990s. Arguing that there is a strong utopian quality in Forest's work, Leruth sees this utopianism not as naive or conventional but as a reverse utopianism: rather than envisioning an impossible ideal, Forest reenvisions and probes the quasi-utopia of our media-augented everyday reality. The interface is the symbolic threshold to be crossed with an open mind.

Popular Culture in Modern France

A Study of Cultural Discourse

Author: Brian Rigby

Publisher: Routledge


Category: Social Science

Page: 240

View: 760

`Culture' is one of the most frequently used terms in the French vocabulary. It sells not only books, newspapers and magazines but also consumer products and political parties. But what are the meanings of `culture populaire'? What have the French understood by it, and what is its history? Brian Rigby's lively and cogent study traces changing notions of popular culture in France, from 1936 - the year of the Popular Front - to the present day. Asking why `culture' has become such a fiercely contested term, Rigby considers the work of the major French theorists, including Barthes, Bourdieu and Baudrillard.

Cultural Policies in Europe

Method and Practice of Evaluation

Author: Mario D'Angelo

Publisher: Council of Europe


Category: Europe

Page: 205

View: 258

Examination of the new need for evaluation of public cultural policies and presentation of the methodological body of this evaluation and of its practice, notably in the work of the Council of Europe. A big part of the book consists of extracts from Council of Europe studies and reports.

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