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Dinosaur Jr.'s You're Living All Over Me

Author: Nick Attfield

Publisher: Bloomsbury Publishing USA

ISBN:

Category: Music

Page: 160

View: 438

Dinosaur Jr, the stereotypical slackers. Mascis, Barlow, Murph (just Murph): three early-twentysomethings still overburdened by a torpid adolescence and a disastrous dress sense. With battered guitar, bass, and kit, they carry around a catalogue of songs that betrays identities half-formed at best, schizoid at worst. But listen. 1987, a new album, a snapshot of a moment when a furious musical intensity swung upwards and pushed their lyrics and Mascis's vocal whine far into the margins. Searing riffs, mountainous solos, and the tightest of fills – underpinned by stream-of-consciousness structures and a palette of crazed effects – steal the show. These three build a one-off sound that stirred up the hardening alternative mainstream and drove it to distraction. You're Living All Over Me: supposedly Mascis's indictment of what it was like to tour in a van with these other two misfits, but also testimony to the obsession – an itch, a disease – that the band's disengagement from their world had produced. This record cares so little it cares a lot.

The First Collection of Criticism by a Living Female Rock Critic

Author: Jessica Hopper

Publisher: Featherproof Books

ISBN:

Category: Music

Page: 250

View: 679

Jessica Hopper's music criticism has earned her a reputation as a firebrand, a keen observer and fearless critic not just of music but the culture around it. With this volume spanning from her punk fanzine roots to her landmark piece on R. Kelly's past, The First Collection leaves no doubt why The New York Times has called Hopper's work "influential." Not merely a selection of two decades of Hopper's most engaging, thoughtful, and humorous writing, this book documents the last 20 years of American music making and the shifting landscape of music consumption. The book journeys through the truths of Riot Grrrl's empowering insurgence, decamps to Gary, IN, on the eve of Michael Jackson's death, explodes the grunge-era mythologies of Nirvana and Courtney Love, and examines emo's rise. Through this vast range of album reviews, essays, columns, interviews, and oral histories, Hopper chronicles what it is to be truly obsessed with music. The pieces in The First Collection send us digging deep into our record collections, searching to re-hear what we loved and hated, makes us reconsider the art, trash, and politics Hopper illuminates, helping us to make sense of what matters to us most.

Gimme Indie Rock

500 Essential American Underground Rock Albums 1981-1996

Author: Andrew Earles

Publisher: Voyageur Press (MN)

ISBN:

Category: Music

Page: 400

View: 757

"Music journalist Andrew Earles provides a rundown of 500 landmark albums recorded and released by bands of the indie rock genre"--

Goldmine Record Album Price Guide

Author: Martin Popoff

Publisher: Penguin

ISBN:

Category: Antiques & Collectibles

Page: 688

View: 270

Whether you're cleaning out a closet, basement or attic full of records, or you're searching for hidden gems to build your collection, you can depend on Goldmine Record Album Price Guide to help you accurately identify and appraise your records in order to get the best price. • Knowledge is power, so power-up with Goldmine! • 70,000 vinyl LPs from 1948 to present • Hundreds of new artists • Detailed listings with current values • Various artist collections and original cast recordings from movies, televisions and Broadway • 400 photos • Updated state-of-the-market reports • New feature articles • Advice on buying and selling Goldmine Grading Guide - the industry standard

White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock

Author: Dr Matthew Bannister

Publisher: Ashgate Publishing, Ltd.

ISBN:

Category: Music

Page: 228

View: 885

To what extent do indie masculinities challenge the historical construction of rock music as patriarchal? This key question is addressed by Matthew Bannister, involving an in-depth examination of indie guitar rock in the 1980s as the culturally and historically specific production of white men. Through textual analysis of musical and critical discourses, Bannister provides the first book-length study of masculinity and ethnicity within the context of indie guitar music within US, UK and New Zealand 'scenes'. Bannister argues that past theorisations of (rock) masculinities have tended to set up varieties of working-class deviance and physical machismo as 'straw men', oversimplifying masculinities as 'men behaving badly'. Such approaches disavow the ways that masculine power is articulated in culture not only through representation but also intellectual and theoretical discourse. By re-situating indie in a historical/cultural context of art rock, he shows how masculine power can be rearticulated through high, avant-garde, bohemian culture and aesthetic theory: canonism, negation (Adorno), passivity, voyeurism and camp (Andy Warhol and the Velvet Underground), and primitivism and infantilism (Lester Bangs, Simon Reynolds). In a related vein, he also assesses the impact of Freud on cultural theory, arguing that reversing binary conceptions of gender by associating masculinities with an essentialised passive femininity perpetuates patriarchal dualism. Drawing on his own experience as an indie musician, Bannister surveys a range of indie artists, including The Smiths, The Jesus and Mary Chain, My Bloody Valentine and The Go-Betweens; from the US, R.E.M., The Replacements, Dinosaur Jr, Hüsker Dü, Nirvana and hardcore; and from NZ, Flying Nun acts, including The Chills, The Clean, the Verlaines, Chris Knox, Bailter Space, and The Bats, demonstrating broad continuities between these apparently disparate scenes, in terms of gender, aesthetic theory and approaches to popular musical history. The result is a book which raises some important questions about how gender is studied in popular culture and the degree to which alternative cultures can critique dominant representations of gender.

The Rough Guide to Rock

Author: Peter Buckley

Publisher: Rough Guides

ISBN:

Category: Music

Page: 1225

View: 247

Compiles career biographies of over 1,200 artists and rock music reviews written by fans covering every phase of rock from R&B through punk and rap.

Rock'n America

A Social and Cultural History

Author: Deena Weinstein

Publisher: University of Toronto Press

ISBN:

Category: Music

Page: 368

View: 576

What is rock? This book offers a new and systematic approach to understanding rock by applying sociological concepts in a historical context. Deena Weinstein, a rock critic, journalist, and academic, starts by outlining an original approach to understanding rock, explaining how the form has developed through a complex and ever-changing set of relations between artists, fans, and mediators. She then traces the history of rock in America through its distinctive eras, from rock's precursors to rock in the digital age. The book includes suggested listening lists to accompany each chapter, a detailed filmography of movies about rock, and a wide range of visuals and fascinating anecdotes. Never separating rock music from the social, political, economic, and cultural changes in America's history, Rock'n America provides a comprehensive overview of the genre and a new way of appreciating its place in American society.

Spin Alternative Record Guide

Author: Eric Weisbard

Publisher: Vintage

ISBN:

Category: Music

Page: 468

View: 693

Provides a listing of the top 100 albums in alternative music from the earliest influences to the latest bands, and includes in-depth record reviews

The Guinness encyclopedia of popular music

Author: Colin Larkin

Publisher: Groves Dictionaries Inc

ISBN:

Category: Music

Page: 4991

View: 603

The Trouser Press Record Guide

Author: Ira A. Robbins

Publisher: Howell Book House

ISBN:

Category: Music

Page: 763

View: 628

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