Fully updated in November 2011 to include Season 32. Now officially the most popular drama on television, Doctor Who has seen many ups and downs in its long and colourful history. From humble beginnings on 23 November 1963 to its cancellation in 1989 and eventual resurrection in 2005, the show has always been a quintessential element of British popular culture. The spine-chilling theme music, the multi-dimensional Tardis, the evil metallic Daleks and the ever-changing face of the Doctor himself have become trademarks of the programme's witty, eclectic house style. Over the years Doctor Who has embraced such diverse genres as science fiction, horror, westerns, history, romance, adventure and comedy - but has never strayed from its first and most important remit: telling damn good stories. Eleven Doctors, a multitude of companions, and a veritable cornucopia of monsters and villains: Doctor Who has it all. 'The children's own programme which adults adore,' said Gerard Garrett in The Daily Sketch newspaper back in the early 1970s - and it's still the perfect summation of the programme's unique charm. This new, updated edition of the best-selling Pocket Essential guide includes Season 32 first aired in September and October 2011, puts all the Doctors under the microscope with facts, figures and opinions on every Doctor Who story televised. There are sections on TV, radio, cinema, stage and internet spin-offs, novels and audio adventures, missing episodes, and an extensive website listing and bibliography.
First published in 1934, this collection of tales was recorded and edited by Thelma Adamson (1901–83), a student of Franz Boas and one of the first women to conduct ethnographic fieldwork in the Pacific Northwest. A major contribution to our knowledge of western Washington Salish oral traditions, Folk-Tales of the Coast Salish contains 190 texts from nineteen consultants—most collected in English or in English translation. The 155 stories represent Upper Chehalis and Cowlitz Salish narrative traditions, primarily myths and tales, and constitute the largest published body of oral literature for either of these groups. Adamson included as many as four variants of the same tale-type, and Adele Froehlich prepared a useful forty-three-page section of abstracts with comparative notes from eight regional text collections. Folk-Tales of the Coast Salish provides a rich data source for those interested in the content and comparative analysis of Native texts told in English. With few exceptions, the tales refer to the time “when all the animals were people.” This new edition enhances Adamson’s seminal work with the inclusion of a biographical sketch of Adamson and of her friend and noted ethnomusicologist George Herzog, who produced the appended music transcriptions.