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Italian Portraits

Author: Donatella Sartorio

Publisher: Skira - Berenice

ISBN:

Category: Photography

Page: 147

View: 491

An elegant and original photo book illustrating once again the excellence of products made in Italy. A follow up to Italian Touch—produced with Tod’s in 2009 and distributed with great success all over the world—the autumn of 2012 will see the publication of a new volume: a gallery of images of Italian men of different ages and origins with a shared passion for elegance and the highest quality. Some thirty men, including a writer, jeweller, a painter, a philanthropist, a journalist, and an aristocrat, are photographed in their chosen settings: the home, the office, the garden or the city. Their lifestyles, born out of a natural flair for combining elegance and quality, are encapsulated in images and short quotes. Their beauty is in the expression of ideas and traditions—a language capable of conveying the culture that represents the true excellence of products made in Italy.An inspired and entertaining book to accompany the launch of next season’s male fashion, supported once again by Tod’s with a major communications campaign. For lovers of photography and fashion, and for all those who purchased Italian Touch.

Italian Portraits of the Fifteenth Century

Author: Sir George Francis Hill

Publisher:

ISBN:

Category: Portrait painting

Page: 20

View: 533

Portrait medals of Italian artists of the Renaissance

Author: G.F. Hill

Publisher: Рипол Классик

ISBN:

Category: History

Page: 92

View: 397

Italian Portraits

Author: Dorothy Hoobler

Publisher: Heinemann/Raintree

ISBN:

Category: Italy

Page: 96

View: 338

Presents biographical sketches of such prominent Italians as Julius Caesar, St. Francis of Assisi, Michelangelo, Galileo, Suetonius, and Maria Montessori.

Library of Congress Subject Headings

Author: Library of Congress

Publisher:

ISBN:

Category: Subject headings, Library of Congress

Page:

View: 332

Women in Italian Renaissance Art

Gender, Representation and Identity

Author: Paola Tinagli

Publisher: Manchester University Press

ISBN:

Category: Art

Page: 206

View: 297

This is the first book which gives a general overview of women as subject-matter in Italian Renaissance painting. It presents a view of the interaction between artist and patron, and also of the function of these paintings in Italian society of the fifteenth and sixteenth centuries. Using letters, poems, and treatises, it examines through the eyes of the contemporary viewer the way women were represented in paintings.

Library of Congress Subject Headings

Author:

Publisher:

ISBN:

Category: Subject headings, Library of Congress

Page:

View: 363

Art and Love in Renaissance Italy

Author: Andrea Bayer

Publisher: Metropolitan Museum of Art

ISBN:

Category: Art del Renaixement

Page: 376

View: 405

"Many famous artworks of the Italian Renaissance were made to celebrate love, marriage, and family. They were the pinnacles of a tradition, dating from early in the era, of commemorating betrothals, marriages, and the birth of children by commissioning extraordinary objects - maiolica, glassware, jewels, textiles, paintings - that were often also exchanged as gifts. This volume is the first comprehensive survey of artworks arising from Renaissance rituals of love and marriage and makes a major contribution to our understanding of Renaissance art in its broader cultural context. The impressive range of works gathered in these pages extends from birth trays painted in the early fifteenth century to large canvases on mythological themes that Titian painted in the mid-1500s. Each work of art would have been recognized by contemporary viewers for its prescribed function within the private, domestic domain."--BOOK JACKET.

Italian Renaissance Portraits

Loan Exhibition, for the Benefit of Lenox Hill Neighborhood Association, New York

Author: M. Knoedler & Co

Publisher:

ISBN:

Category: Portrait painting, Italian

Page: 21

View: 341

The Cicerone Or, Art Guide to Painting in Italy by Jacob Burckhardt

Author: Jacob Burckhardt

Publisher:

ISBN:

Category:

Page: 291

View: 557

Italy

Handbook for Travellers

Author: Karl Baedeker (Firm)

Publisher:

ISBN:

Category: Italy

Page: 490

View: 203

Men Or Supermen?

The Italian Portrait in the Fifteenth Century

Author: L. M. Sleptzoff

Publisher: Magnes Press

ISBN:

Category: Art

Page: 159

View: 529

"Men or Supermen?" examines the growth of the portrait in fifteenth century Italy within its social and intellectual context. It discusses the parallel literary developments, such as biography, the extent of the influence of humanist thought, and the changing economic and social conditions that formed the environment in which portraiture became a genre.

Bradshaw's illustrated hand-book to Italy

Author: George Bradshaw

Publisher:

ISBN:

Category:

Page:

View: 944

Italian Painters: The galleries of Munich and Dresden

Author: Giovanni Morelli

Publisher:

ISBN:

Category: Painters

Page:

View: 901

Wonders of Italian Art

Author: Louis Viardot

Publisher:

ISBN:

Category: Art, Italian

Page: 343

View: 679

Epistola posteritati

Author: Karl A. E. Enenkel

Publisher: Rodopi

ISBN:

Category: Literary Criticism

Page: 299

View: 418

One of the most noticeable features of the Renaissance is what Jacob Burckhardt called the rise of the individual - in politics and religion, in its social life and in the arts, and in the mentality of Renaissance man, with his inclination to explore, to invent and to make new discoveries. Yet this characteristic is also very puzzling to modern people, who see that although the categories of art which depict particular people increased to a spectacular degree in a period when biography and portrait painting were among the most popular genres, and autobiography began to emerge as a genre in itself and painters began to produce self-portraits, an interest individuals is not necessarily the same thing as the more recent interest in the purely personal aspects of individuals. Literary and artistic traditions, social and ideological backgrounds, and the motives for the production of literature have changed profoundly: Renaissance biography and autobiography, portraiture and self-portraiture have little to do with their modern counterparts. Therefore this book stresses that the Renaissance is not predominantly a mirror of modernity, but rather a period of stimulating difference or alterity. The contributors to this collection of essays aim to create a better understanding of Renaissance biographies and portraits through the analysis and reconstruction of the traditions, contexts, backgrounds and circumstances of their production.

Handbook of Painting, the Italian Schools

Author: Franz Kugler

Publisher:

ISBN:

Category: Painting, Italian

Page: 760

View: 325

Titian's Portraits through Aretino's Lens

Author:

Publisher: Penn State Press

ISBN:

Category: Art

Page:

View: 975

After classical antiquity, the Italian Renaissance raised the portrait, whether literary or pictorial, to the status of an important art form. Among sixteenth-century Renaissance painters, Titian made his reputation, and much of his living, by portraiture. Titian's portraits were promoted by his friend, Pietro Aretino, an eminent poet and critic, who addressed his letters and sonnets to the same personages whom Titian portrayed. In many of these letters (which often included sonnets), Aretino described both an individual patron and Titian's portrait of that patron, thus stimulating the reciprocal relation between a verbal and pictorial portrait. By investigating this unprecedented historical phenomenon, Luba Freedman elucidates the meaning conveyed by the portrait as an artistic form in Renaissance Italy. Fusing iconographical analysis of the most famous Titian portraits with rhetorical analysis of Aretino's literary legacy as compared to contemporary reactions, Freedman demonstrates that it is due to Titian's many portraits and to Aretino's repeated simultaneous writings about them that the portrait ceased being primarily a social-historical document, preserving the sitter's likeness for posterity. It gradually became, as it is today, a work of art, the artist's invention, which gives its viewer an aesthetic pleasure.

Walford's Antiquarian

A Magazine & Bibliographical Review

Author:

Publisher:

ISBN:

Category: Great Britain

Page:

View: 699

Paintings by Old Masters... Dutch, French and Italian Schools. Portraits... Water-colour and Crayon Drawings

Vente 10 Juin 1936

Author:

Publisher:

ISBN:

Category:

Page: 24

View: 265

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