Every marriage has two hearts, one light and one dark, and Lisey Landon must confront both. King's most personal and powerful book to date is about the wellsprings of creativity, the temptations of madness, and the secret language of love.
Renting a house on the Florida coast after suffering a crippling accident and ending his marriage, construction millionaire Edgar Freemantle creates works of art that lead him to discover unsettling elements from his landlady's enigmatic family history.
The Dark Tower is now a major motion picture from Dreamworks starring Idris Elba as Roland and Matthew McConaughey as The Man in Black In his New York Times bestselling The Wind Through the Keyhole, Stephen King returns to the spectacular territory of the Dark Tower fantasy saga to tell a story about gunslinger Roland Deschain in his early days. The Wind Through the Keyhole is a sparkling contribution to the series that can be placed between Dark Tower IV and Dark Tower V. This Russian doll of a novel, a story within a story within a story, visits Roland and his ka-tet as a ferocious, frigid storm halts their progress along the Path of the Beam. Roland tells a tale from his early days as a gunslinger, in the guilt-ridden year following his mother’s death. Sent by his father to investigate evidence of a murderous shape-shifter, Roland takes charge of Bill Streeter, a brave but terrified boy who is the sole surviving witness to the beast’s most recent slaughter. Roland, himself only a teenager, calms the boy by reciting a story from the Book of Eld that his mother used to read to him at bedtime, “The Wind through the Keyhole.” “A person’s never too old for stories,” he says to Bill. “Man and boy, girl and woman, we live for them.” And stories like The Wind Through the Keyhole live for us with Stephen King’s fantastical magic that “creates the kind of fully imagined fictional landscapes a reader can inhabit for days at a stretch” (The Washington Post).
The iconic, “extraordinary” (The Washington Post) collaboration between #1 bestselling author Stephen King and Peter Straub—an epic thriller about a young boy’s quest to save his mother’s life. Why had twelve-year-old Jack Sawyer’s mother frantically moved the two of them from Rodeo Drive to a New York City apartment to the Alhambra, a fading ocean resort and shuttered amusement park in New Hampshire? Who or what is she running from? She is dying . . . and even young Jack knows she can’t outrun death. But only he can save her—for he has been chosen to search for a prize across an epic landscape of dangers and lies, a realm of innocents and monsters, where everything Jack loves is on the line.
Selected by a poll of more than 180 Gothic specialists, the fifty-three original works discussed in 21st-Century Gothic represent the most impressive Gothic novels written around the world between 2000-2010.
A follow up to "Stephen King on the Big Screen" (2009), this title looks at the much-neglected subject of the best-selling author's work in television, examining what it is about King's fiction that makes it particularly suitable for the small screen. It examines what makes a written or visual text successful at evoking fear
References to western movies scattered over some 250 narrative works by more than 130 authors constitute the subject matter of this book, arranged in an encyclopedic format. The entries are distributed among western movies, television series, big screen and television actors, western writers, directors and miscellaneous topics related to the genre. Covered are not only classics like High Noon but also more obscure titles such as Drum Beat. Mega-stars like John Wayne are included but so is Tom Tyler, a much lesser known name. While the time span of the presented data exceeds a period of a hundred years--from The Great Train Robbery (1903) to No Country for Old Men (2007)--the entries include many western film milestones (from The Aryan through Shane to Unforgiven), television classics (Gunsmoke, Bonanza) and great screen cowboys of both the "A" and "B" productions.
Roused by a single drop of blood, Rosie Daniels wakes up to the chilling realisation that her husband is going to kill her. And she takes flight - with his credit card. Alone in a strange city, Rosie begins to build a new life: she meets Bill Steiner and she finds an odd junk shop painting, 'Rose Madder', which strangely seems to want her as much as she wants it. But it's hard for Rosie not to keep looking over her shoulder. Rose-maddened and on the rampage, Norman is a corrupt cop with a dog's instinct for tracking people. And he's getting close. Rosie can feel how close he is getting . . . A brilliant, dark-hued fable of gender wars, a haunting love story, and a hold-your-breath triumph of suspense, ROSE MADDER is Stephen King at his electrifying best.
Set in the fictional town of Castle Rock, Maine From #1 New York Times bestselling author Stephen King, a powerful tale of grief, of love's enduring bonds, and the haunting secrets of the past. Set in the Maine territory King has made mythic, Bag of Bones recounts the plight of forty-year-old bestselling novelist Mike Noonan, who is unable to stop grieving following the sudden death of his wife Jo, and who can no longer bear to face the blank screen of his computer. Now his nights are plagued by vivid nightmares, all set at the Maine summerhouse he calls Sara Laughs. Despite these dreams, or perhaps because of them, Mike returns to the lakeside getaway. There he finds his beloved Yankee town held in the grip of a powerful millionaire, Max Devore, who will do anything to take his three-year-old granddaughter away from her widowed young mother. As Mike is drawn into their struggle, as he falls in love with both mother and child, he is also drawn into the mystery of Sara Laughs, now the site of ghostly visitations, ever-escalating nightmares, and the sudden recovery of his writing ability. What are the forces that have been unleashed here—and what do they want of Mike Noonan? First published in 1998, Bag of Bones was an instant #1 New York Times bestseller. It was lauded at its publication as “hands down, Stephen King’s most narratively subversive fiction” (Entertainment Weekly) and his “most ambitious novel” (The Atlanta Journal-Constitution).