Top Nonfiction Titles from School Library Journal and The Horn Book Magazine
Author: Roger Sutton
Publisher: Rowman & Littlefield
The Common Core in Grades K–3 is the second in a series of comprehensive tools to tap into the vast flow of recently published books for children and teens, offering recommendations of exemplary titles for use in the classroom.
Dolphin, Orca, Clownfish, Sea Otter, and More-- : an All-new Actual Size Animal Encyclopedia
Author: Teruyuki Komiya
Publisher: Seven Footer Press
Category: Juvenile Nonfiction
Examines the physical characteristics and unique behaviors of thirty-five marine animals. including dolphins, sea otters, green sea turtles, leafy sea dragons, dugongs, clownfish, and catfish, in a text with several gatefold pages.
Earth is teeming with life. No one knows exactly how many distinct organisms inhabit our planet, but more than 5 million different species of animals and plants could exist, ranging from microscopic algae and bacteria to gigantic elephants, redwood trees and blue whales. Yet, throughout this wonderful tapestry of living creatures, there runs a single thread: Deoxyribonucleic acid or DNA. The existence of DNA, an elegant, twisted organic molecule that is the building block of all life, is perhaps the best evidence that all living organisms on this planet share a common ancestry. Our ancient connection to the living world may drive our curiosity, and perhaps also explain our seemingly insatiable desire for information about animals and nature. Noted zoologist, E.O. Wilson, recently coined the term “biophilia” to describe this phenomenon. The term is derived from the Greek bios meaning “life” and philos meaning “love.” Wilson argues that we are human because of our innate affinity to and interest in the other organisms with which we share our planet. They are, as he says, “the matrix in which the human mind originated and is permanently rooted.” To put it simply and metaphorically, our love for nature flows in our blood and is deeply engrained in both our psyche and cultural traditions. Our own personal awakenings to the natural world are as diverse as humanity itself. I spent my early childhood in rural Iowa where nature was an integral part of my life. My father and I spent many hours collecting, identifying and studying local insects, amphibians and reptiles. These experiences had a significant impact on my early intellectual and even spiritual development. One event I can recall most vividly. I had collected a cocoon in a field near my home in early spring. The large, silky capsule was attached to a stick. I brought the cocoon back to my room and placed it in a jar on top of my dresser. I remember waking one morning and, there, perched on the tip of the stick was a large moth, slowly moving its delicate, light green wings in the early morning sunlight. It took my breath away. To my inexperienced eyes, it was one of the most beautiful things I had ever seen. I knew it was a moth, but did not know which species. Upon closer examination, I noticed two moon-like markings on the wings and also noted that the wings had long “tails”, much like the ubiquitous tiger swallow-tail butterflies that visited the lilac bush in our backyard. Not wanting to suffer my ignorance any longer, I reached immediately for my Golden Guide to North American Insects and searched through the section on moths and butterflies. It was a luna moth! My heart was pounding with the excitement of new knowledge as I ran to share the discovery with my parents. I consider myself very fortunate to have made a living as a professional biologist and conservationist for the past 20 years. I’ve traveled to over 30 countries and six continents to study and photograph wildlife or to attend related conferences and meetings. Yet, each time I encounter a new and unusual animal or habitat my heart still races with the same excitement of my youth. If this is biophilia, then I certainly possess it, and it is my hope that others will experience it too. I am therefore extremely proud to have served as the series editor for the Gale Group’s rewrite of Grzimek’s Animal Life Encyclopedia, one of the best known and widely used reference works on the animal world. Grzimek’s is a celebration of animals, a snapshot of our current knowledge of the Earth’s incredible range of biological diversity. Although many other animal encyclopedias exist, Grzimek’s Animal Life Encyclopedia remains unparalleled in its size and in the breadth of topics and organisms it covers. The revision of these volumes could not come at a more opportune time. In fact, there is a desperate need for a deeper understanding and appreciation of our natural world. Many species are classified as threatened or endangered, and the situation is expected to get much worse before it gets better. Species extinction has always been part of the evolutionary history of life; some organisms adapt to changing circumstances and some do not. However, the current rate of species loss is now estimated to be 1,000–10,000 times the normal “background” rate of extinction since life began on Earth some 4 billion years ago. The primary factor responsible for this decline in biological diversity is the exponential growth of human populations, combined with peoples’ unsustainable appetite for natural resources, such as land, water, minerals, oil, and timber. The world’s human population now exceeds 6 billion, and even though the average birth rate has begun to decline, most demographers believe that the global human population will reach 8–10 billion in the next 50 years. Much of this projected growth will occur in developing countries in Central and South America, Asia and Africa-regions that are rich in unique biological diversity. viii Grzimek’s Animal Life Encyclopedia • • • • • Foreword Finding solutions to conservation challenges will not be easy in today’s human-dominated world. A growing number of people live in urban settings and are becoming increasingly isolated from nature. They “hunt” in super markets and malls, live in apartments and houses, spend their time watching television and searching the World Wide Web. Children and adults must be taught to value biological diversity and the habitats that support it. Education is of prime importance now while we still have time to respond to the impending crisis. There still exist in many parts of the world large numbers of biological “hotspots”-places that are relatively unaffected by humans and which still contain a rich store of their original animal and plant life. These living repositories, along with selected populations of animals and plants held in professionally managed zoos, aquariums and botanical gardens, could provide the basis for restoring the planet’s biological wealth and ecological health. This encyclopedia and the collective knowledge it represents can assist in educating people about animals and their ecological and cultural significance. Perhaps it will also assist others in making deeper connections to nature and spreading biophilia. Information on the conservation status, threats and efforts to preserve various species have been integrated into this revision. We have also included information on the cultural significance of animals, including their roles in art and religion. It was over 30 years ago that Dr. Bernhard Grzimek, then director of the Frankfurt Zoo in Frankfurt, Germany, edited the first edition of Grzimek’s Animal Life Encyclopedia. Dr. Grzimek was among the world’s best known zoo directors and conservationists. He was a prolific author, publishing nine books. Among his contributions were: Serengeti Shall Not Die, Rhinos Belong to Everybody and He and I and the Elephants. Dr. Grzimek’s career was remarkable. He was one of the first modern zoo or aquarium directors to understand the importance of zoo involvement in in situ conservation, that is, of their role in preserving wildlife in nature. During his tenure, Frankfurt Zoo became one of the leading western advocates and supporters of wildlife conservation in East Africa. Dr. Grzimek served as a Trustee of the National Parks Board of Uganda and Tanzania and assisted in the development of several protected areas. The film he made with his son Michael, Serengeti Shall Not Die, won the 1959 Oscar for best documentary. Professor Grzimek has recently been criticized by some for his failure to consider the human element in wildlife conservation. He once wrote: “A national park must remain a primordial wilderness to be effective. No men, not even native ones, should live inside its borders.” Such ideas, although considered politically incorrect by many, may in retrospect actually prove to be true. Human populations throughout Africa continue to grow exponentially, forcing wildlife into small islands of natural habitat surrounded by a sea of humanity. The illegal commercial bushmeat trade-the hunting of endangered wild animals for large scale human consumption-is pushing many species, including our closest relatives, the gorillas, bonobos and chimpanzees, to the brink of extinction. The trade is driven by widespread poverty and lack of economic alternatives. In order for some species to survive it will be necessary, as Grzimek suggested, to establish and enforce a system of protected areas where wildlife can roam free from exploitation of any kind. While it is clear that modern conservation must take the needs of both wildlife and people into consideration, what will the quality of human life be if the collective impact of shortterm economic decisions is allowed to drive wildlife populations into irreversible extinction? Many rural populations living in areas of high biodiversity are dependent on wild animals as their major source of protein. In addition, wildlife tourism is the primary source of foreign currency in many developing countries and is critical to their financial and social stability. When this source of protein and income is gone, what will become of the local people? The loss of species is not only a conservation disaster; it also has the potential to be a human tragedy of immense proportions. Protected areas, such as national parks, and regulated hunting in areas outside of parks are the only solutions. What critics do not realize is that the fate of wildlife and people in developing countries is closely intertwined. Forests and savannas emptied of wildlife will result in hungry, desperate people, and will, in the longterm lead to extreme poverty and social instability. Dr. Grzimek’s early contributions to conservation should be recognized, not only as benefiting wildlife, but as benefiting local people as well. Dr. Grzimek’s hope in publishing his Animal Life Encyclopedia was that it would “...disseminate knowledge of the animals and love for them”, so that future generations would “...have an opportunity to live together with the great diversity of these magnificent creatures.” As stated above, our goals in producing this updated and revised edition are similar. However, our challenges in producing this encyclopedia were more formidable. The volume of knowledge to be summarized is certainly much greater in the twenty-first century than it was in the 1970’s and 80’s. Scientists, both professional and amateur, have learned and published a great deal about the animal kingdom in the past three decades, and our understanding of biological and ecological theory has also progressed. Perhaps our greatest hurdle in producing this revision was to include the new information, while at the same time retaining some of the characteristics that have made Grzimek’s Animal Life Encyclopedia so popular. We have therefore strived to retain the series’ narrative style, while giving the information more organizational structure. Unlike the original Grzimek’s, this updated version organizes information under specific topic areas, such as reproduction, behavior, ecology and so forth. In addition, the basic organizational structure is generally consistent from one volume to the next, regardless of the animal groups covered. This should make it easier for users to locate information more quickly and efficiently. Like the original Grzimek’s, we have done our best to avoid any overly technical language that would make the work difficult to understand by non-biologists. When certain technical expressions were necessary, we have included explanations or clarifications. Considering the vast array of knowledge that such a work represents, it would be impossible for any one zoologist to have completed these volumes. We have therefore sought Grzimek’s Animal Life Encyclopedia ix Foreword specialists from various disciplines to write the sections with which they are most familiar. As with the original Grzimek’s, we have engaged the best scholars available to serve as topic editors, writers, and consultants. There were some complaints about inaccuracies in the original English version that may have been due to mistakes or misinterpretation during the complicated translation process. However, unlike the original Grzimek’s, which was translated from German, this revision has been completely re-written by English-speaking scientists. This work was truly a cooperative endeavor, and I thank all of those dedicated individuals who have written, edited, consulted, drawn, photographed, or contributed to its production in any way. The names of the topic editors, authors, and illustrators are presented in the list of contributors in each individual volume. The overall structure of this reference work is based on the classification of animals into naturally related groups, a discipline known as taxonomy or biosystematics. Taxonomy is the science through which various organisms are discovered, identified, described, named, classified and catalogued. It should be noted that in preparing this volume we adopted what might be termed a conservative approach, relying primarily on traditional animal classification schemes. Taxonomy has always been a volatile field, with frequent arguments over the naming of or evolutionary relationships between various organisms. The advent of DNA fingerprinting and other advanced biochemical techniques has revolutionized the field and, not unexpectedly, has produced both advances and confusion. In producing these volumes, we have consulted with specialists to obtain the most up-to-date information possible, but knowing that new findings may result in changes at any time. When scientific controversy over the classification of a particular animal or group of animals existed, we did our best to point this out in the text. Readers should note that it was impossible to include as much detail on some animal groups as was provided on others. For example, the marine and freshwater fish, with vast numbers of orders, families, and species, did not receive as detailed a treatment as did the birds and mammals. Due to practical and financial considerations, the publishers could provide only so much space for each animal group. In such cases, it was impossible to provide more than a broad overview and to feature a few selected examples for the purposes of illustration. To help compensate, we have provided a few key bibliographic references in each section to aid those interested in learning more. This is a common limitation in all reference works, but Grzimek’s Encyclopedia of Animal Life is still the most comprehensive work of its kind. I am indebted to the Gale Group, Inc. and Senior Editor Donna Olendorf for selecting me as Series Editor for this project. It was an honor to follow in the footsteps of Dr. Grzimek and to play a key role in the revision that still bears his name. Grzimek’s Animal Life Encyclopedia is being published by the Gale Group, Inc. in affiliation with my employer, the American Zoo and Aquarium Association (AZA), and I would like to thank AZA Executive Director, Sydney J. Butler; AZA Past-President Ted Beattie (John G. Shedd Aquarium, Chicago, IL); and current AZA President, John Lewis (John Ball Zoological Garden, Grand Rapids, MI), for approving my participation. I would also like to thank AZA Conservation and Science Department Program Assistant, Michael Souza, for his assistance during the project. The AZA is a professional membership association, representing 205 accredited zoological parks and aquariums in North America. As Director/William Conway Chair, AZA Department of Conservation and Science, I feel that I am a philosophical descendant of Dr. Grzimek, whose many works I have collected and read. The zoo and aquarium profession has come a long way since the 1970s, due, in part, to innovative thinkers such as Dr. Grzimek. I hope this latest revision of his work will continue his extraordinary legacy. Silver Spring, Maryland, 2001 Michael Hutchins Series Editor
Empire's Children looks at works at by Rudyard Kipling, Frances Hodgson Burnett, E. Nesbit, Hugh Lofting, A.A. Milne, and Arthur Ransome for the ways these writers consciously and unconsciously used the metaphors of empire in their writing for children.
"This is a revised and updated edition of one of the most authoritative and comprehensive sources on the world's animals. Similar to the first edition written by noted zoologist Bernard Grzimek and published in 1972, the second edition covers all types of animals in geographic areas around the world. It includes high-quality photographs and illustrations and a comprehensive index to all volumes."--"The Top 20 Reference Titles of the Year," American Libraries, May 2004.
Historic books etc on garden design and landscape architecture
Author: Tom Turner
The Garden History Reference Encyclopedia is in pdf format with over 10,000 hyperlinks both internal and external, to sites of garden history interest. The text is twice as long as the Bible and is fully searchable using the free Adobe Reader found on most computers. For full details of the contents please see GHRE page on Gardenvisit.com. The Enclycopedia was available as a CD from 2002 to 2012 and is now supplied as a pdf file. It received an American Society of Landscape Architects ASLA Merit Award in 2003 and a UK Landscape Institute award in 2004. Contents of the Garden History Reference Encyclopedia eTEXTS: The 100+ eTexts in the Encyclopedia are listed below BIOGRAPHY: there is an alphabetical index with links to biographies of famous designers, writers and patrons who have guided the course of garden design history GLOSSARY: there are explanations of garden history terms, with links to examples of their use in the eTexts STYLES: there are diagrams of 24 key garden types and styles TIMELINE: a combination of the 24 style diagrams with links to key persons and key examples General histories of garden design Garden History Guide. An overview of garden history from 2000 BC to 2000 AD (by Tom Turner). It introduces the subject and serves as a guide to the other resources in the Encyclopedia (approx 2,500 pages, 1.5m words and 2,000 illustrations). Tom Turner Garden Design in the British Isles: History and styles since 1650 (1986, 2000) The Encyclopedia edition has been revised, with additional illustrations and hyperlinks to garden descriptions. Marie-Luise Gothein History of garden art (English edition, 1928) Gothein's book, originally published in German (Geschichte der Gartenkunst, 1914 ), provides by far the best and by far the most comprehensive account of garden history from antiquity up to the start of the twentieth century. eTexts relating to Ancient Egypt Egyptian Book of the Dead (excerpts) Herodotus journeyed to Egypt and down the Nile in the 5th century BC and included valuable information on sanctuaries, gardens, groves and statues. A journey down the Nile in 1902, with romantic paintings of the people and the landscape A visit to the Estate of Amun in 1909, with paintings capturing the mood of the ancient monuments A journey down the Nile in 1914, with photographs of the monuments before they were restored and details of how the author's family hired a house boat and 'sailed away into a lotus land of sunshine and silent waters for five or six months' eTexts relating to Ancient West Asia The Song of Solomon from Old Testament of The Bible (also known as the Song of Songs). The greatest erotic love song in Western literature, making the association of gardens and love. It has been a profound influence on western thinking about gardens. 'The entire world, all of it, it not equal in worth to the day on which the Song of Songs was given to Israel.' Excerpts from The Bible relating to gardens. The Garden of Eden was thought to have been in West Asia. Excerpts from The Koran relating to gardens. Because gardens were so often used as a symbol of paradise, there are more references to gardens in The Koran than in The Bible. eTexts relating to Ancient Greece Plato's discussion of 'imitation' (mimesis) is explained and discussed. Book X of The Republic (c370 BC) is in the Encyclopedia . Plato's Theory of Forms led to the aesthetic principle that 'Art should Imitate Nature' which had a profound influence on western art in general and garden design in particular. Homer, excerpts from the Iliad and Odyssey relating to gardens Sir James Frazer's The Golden Bough (1890). The chapter in the Encyclopedia describes 'The Ritual of Adonis'. It is written by the founder of modern anthropology and helps to explain the Adonis Cult, which provides evidence of plants being grown in Greek courtyard gardens, and of the spirit in which sacred groves were made in Ancient Greece. eTexts relating to The Roman Empire Vitruvius Pollio on landscape architecture and garden design (27 BC) from de Architectura. Vitruvius was a Roman and wrote the oldest western book on design to have survived. It lays down the principle that places should have 'commodity, firmness and delight'. Book 1, Chapters 1-7, are in the Encyclopedia . Excerpts from Ovid's Metamorphosis (1-8 AD) and Art of Love (1 BC). Ovid's poetry provided a rich source of imagery for garden designers and for the artists who made garden sculpture. Pliny the Younger's letters describing his own gardens (c100 AD). These letters are the best surviving descriptions of Roman gardens and of how their owners used them. Pliny owned many gardens and 500 slaves. Cicero, excerpts from his letters relating to gardens Virgil's Aenead, sections relating to gardens Life of St Martin The first outstanding monastic leader in France was St Martin of Tours (c316-397). His account of how he destroyed the sacred groves of the pagan religion does much to explain why Europe has such scanty remains of this type of outdoor space. Ibn Battuta's account of Constantinople c1300 eTexts relating to Medieval Gardens Charlemagne's 'chapter' (capitulary) on gardens gave detailed instructions for the plants to be used in the royal gardens and for the management of his lands. They are key texts for the study of medieval gardens, c800 AD. A note on 'Irminsul.' , the sacred tree of the Saxons, destroyed by the Christians. Guillaume de Lorris' Romance of the Rose or Roman de la Rose (c1250). This is an allegorical poem, inspired by Ovid, in which gardens and roses are associated with romantic love ('Full many a time I smote and struck the door and listened for someone to let me in') Excerpts from Boccaccio's Decameron (1353), with classical descriptions of medieval garden scenes. The tales are famed for their sexual intrigue and this aspect is more prominent than garden scenery in the illustrations in the Encyclopedia . Albertus Magnus advice on how to make a pleasure garden (1206) Walafried Strabbo's poem Hortulus. This is the literary classic of medieval garden literature, celebrating the delight of plants in monastic life and giving detailed information on the culture and uses of plants. The Life of St Anthony, relating to the origin of monastic gardening The Life of St Philbert, relating to the origin of the European monastic cloister. He was Abbot of Jumièges in France c750. A set of quotations from The Bible which make reference to gardens.(61 No) eTexts relating to Islamic Gardens A set of quotations from The Koran which make reference to gardens (151 No) The Spanish Ambassador's visit to Samarkand, in 1404, with his descriptions of Mughal gardens Babur's Memoir, Babur admired the gardens he had seen and, after founding a Mughal Empire, made gardens he made in India Persian gardens were in better condition in 1900 than in 2000, and better still in 1700. This gives a particular importance to past travellers descriptions of their use and form. There sections from the following accounts of visits to Persian gardens in the Encyclopedia (and engravings, to capture the flavour of Persian gardens as they were) Montesquieu's Persian letters (1721) contained little information on Pesian gardens but did much to awaken interest in seraglios and the 'romance of the East'. Washington Irving, the 'father of American literature' published a famous account of the Alhambra in 1832. He was a friend of Sir Walter Scott and has the same interest in welding history with imagination. This provides a glimpse of the Alhambra and Generalife when they were, beyond question, the finest gardens in Europe. eTexts relating to Renaissance Gardens Plotinus The Enneads Eighth Tractate: 'On the Intellectual Beauty'. Plotinus (205-270AD) was 'rediscovered' during the renaissance, in the Platonic Academy founded at Careggi, and came to have a profound influence on renaissance design methods St Augustine's conversion took place in a garden in Milan (described in his Confessions) and was often chosen as a frontispiece to editions of his work. Augustine is regarded as the greatest Christian thinker of antiquity, the transmitter of Plato and Aristotle to medieval and renaissance Christianity. Leon Battista Alberti On Garden Design (1485) from De re aedificatoria libri X (Ten Books on Architecture). Drawing from Pliny and Vitruvius, the humanist scholar set forth the principles for the design of renaissance villas. They were taken up by Donato Bramante and guided the course of garden design for two centuries. Vasari's biographical note on Leon Battista Alberti describes his multi-faced genius. Leonardo da Vinci note on the design of a water garden (from his Notebooks) with a reference to his interpretation of Vitruvius Andrea Palladio's I Quattro Libri dell'Architecttura (The Four Books of Architecture) (1570) is one of the most influential design works ever published. The quotations in the Encyclopedia relate to the placing of buildings and Neoplatonism. Michel Eyquem de Montaigne's diary accounts of Italian Gardens (1580-1) let us view many still-famous Italian gardens through the eyes of a French renaissance traveller and writer. Montaigne invented the 'essay form'. William Shakespeare's mention of gardens (30 No.) tell much of the gardens he knew. Despite his dates (1564-1616) these gardens are medieval, with only the slightest renaissance accent. Francis Bacon's Essay 'On Gardens' (1625). This famous essay, by a philosopher and scientist, in Sir Geoffrey Jellicoe's words 'magisterially lays down the fundamental principles of gardening'. It begins with the words 'God Almighty first planted a garden' and praises wildness in gardens. John Evelyn's diary accounts of gardens in France and Italy visited between 1644 and 1685. As with Montaigne's diary, they provide contemporary descriptions of French and Italian parks and gardens. Andrew Marvell's The Garden (c1650) celebrates the delights in the symbolism of seventeenth century enclosed gardens. Marvell's Upon Appleton House, to my Lord Fairfax contains some garden description. The Garden by Abraham Cowley 'I never had any other desire so strong, and so like to covetousness, as ....that I might be master at last of a small house and large garden Sir Thomas Browne's essay on The Garden of Cyrus deals with the history of gardens, as viewed from 1658 (an extract is in the Encyclopedia ) eTexts relating to Enlightenment Gardens René Descartes Descartes did not write either on aesthetics or on garden design, but historians continue to speak of the 'Cartesian Garden', by which they mean a geometrical garden. The Encyclopedia contains the text and a comment on his Discourse on the method of rightly conducting the reason, and seeking truth in the sciences.(1637) This short book laid the foundation for the philosophy of the Enlightenment and for Neoclassical aesthetics. John James Theory and Practice of Gardening was published in 1712, based on A J Dezallier d'Arganville and Le Blond. It became the standard book on laying out a French baroque garden and provides a fascinating insight into how this was done. James also 'introduced the concept of the ha-ha and anticipated Pope's famous dictum on the genius of the place'. The Encyclopedia has 3 chapters, 4 plates and a discussion of James' book. Alexander Pope's and his Essay on Criticism (1711) Epistle to Lord Burlington (1731). The former summarises contemporary attitudes to gardens and the latter summarises contemporary (rationalist-Neoclassical) aesthetic theory: based on Reason, Nature and the Genius of the Place. John Serle's plan of Alexander Pope's garden at the time of his death, and his description of Pope's grotto (+ photographs of the grotto and its setting) Sir Joshua Reynolds Discourses were delivered at the Royal Academy in London between 1769 and 1790 embody 'The basic ideas of neoclassical theory in the fine arts were set forth in definitive form, with clarity and grace'. The Encyclopedia contains relevant quotations. eTexts relating to Romantic Gardens William Temple's essay 'Upon the Gardens of Epicurus: or Of Gardening' (1685) is extravagantly praised by Nicholas Pevsner. He claims this essay 'started a line of thought and visual conceptions which were to dominate first England and then the World for two centuries.' The full text is in the Encyclopedia . Jospeh Addison's Essay 161 made the key association of natural scenery with liberty and freedom. Essay 37 describes a perfect garden in which reason and nature go hand in hand. Essay 414 sees the works of nature as more delightful than artificial arrangements. Essay 417 supports Locke's theory of knowledge. Essay 477 describes Addison's own garden at Bilton. William Shenstone A description of The Leasowes. This was one of the landscape gardens most admired in continental Europe, partly because it was the work of a poet and partly because it combined use and beauty - a ferme orneé. The full text of his publisher's description is in the Encyclopedia . William Shenstone 'Unconnected thoughts on gardening'. The invention of the term 'landskip gardening' is attributed to Shenstone. Edmund Burke An essay on the sublime and beautiful (1757). Taking an empiricist approach, Burke attacks Vitruvian and rationalist aesthetics. He also discusses garden design, praising Hogarth's 'line of beauty' (which Brown followed) and comparing 'smooth streams in the landscape' with ' in fine women smooth skins'. Quotations from Lancelot 'Capability' Brown, describing the principles on which he worked. Horace Walpole's essay 'On Gardening' (1780). The most brilliant and influential essay ever written on the development English park and garden design. Thomas Jefferson's descriptions of English gardens John Claudius Loudon's biography of Humphry Repton (1840). After Repton's own writings, this is the primary source of information on Humphry Repton's life and work. Jean-Jacques Rousseau one of the letters from La Nouvelle Héloise deal's with Julie's garden. It is a romantic treatment of an ancient theme, making the association between women, sex and gardens (see above references the Song of Solomon, the Romance of the Rose and Boccaccio. Also the reference below to Goethe). Uvedale Price On the Picturesque (1794) Excerpt from Chapter 1 and Chapter 4. Price was a widely respected authority on picturesque taste in gardens. Humphry Repton 'A letter to Mr Price' (1795) Humphry Repton Sketches and Hints (1795) This is Repton's first theoretical statement on his chosen professional (Introduction and Chapter 1 on Encyclopedia ) Humphry Repton Fragments on the Theory and Practice of Landscape Gardening (1816) The Fragment reproduced (No 27) comes from the Red Book for Ashridge - a favourite project and the occasion for Repton's advocacy of what became the Mixed Style of garden design. eTexts relating to Nineteenth Century Gardens Johann Wolfgang von Goethe Elective Affinities (1809). Like Rousseau, Goethe admired 'natural' gardens. He also drew gardens and designed gardens. The section reproduced in the Encyclopedia deals with the design of a romantic garden. Jane Loudon's life of her husband John Claudius Loudon (1843). Jane was a novelist and her memoir is as touching as it is important as the key source of information on her husband - who was the most influential garden writer of the nineteenth century. Loudon's influence was particularly important in America. Edward Kemp How to lay out a garden (1864 edn). Excerpts giving his views on styles of garden design and describing two gardens which he designed. It presents a somewhat depressing picture of the confusion which reigned in the mid-nineteenth century garden aesthetics - and continues to reign in many of the world's municipal parks departments.. Sir Walter Scott, excerpt from Waverly and from The Quarterly Review on gardens. Scott's remarks can be read in conjunction with those of his friends, Gilbert Laing Meason and Washington Irving. They introduced a romantic-historical dimension to garden design and appreciation. Gustave Flaubert Bouvard and Pécuchet. Flaubert satirizes the bourgeois taste in garden design displayed by the characters whose names form the title of his last novel. Famous Parks and Gardens of the World - the book was published anonymously and provides a good illustration of European gardening opinion in 1880. The Preface and Chapter 10 are in the Encyclopedia . Ludwig II of Bavaria: the romantic gardens of the 'Mad King' were rich in historical associations. eTexts relating to the History of Landscape Architecture Guide to the History of Landscape Architecture, by Tom Turner Gilbert Laing Meason. The full text of Meason's On the Landscape Architecture of the Great Painters of Italy (London 1828). Meason was the 'inventor' of the term Landscape Architecture, which has since come to be used by a world-wide profession, represented by the International Federation of Landscape Architects, by the American Society of Landscape Architects, by the UK Landscape Institute and numerous other national associations. Only 150 copies of his book were printed and its contents are not well known. This is the first time the book has been re-published. It is accompanied with an analysis of the text by Tom Turner. A clear appreciation of how landscape architecture began is regarded as central to comprehension of the modern profession. Notes on the Top twenty theorists and designers in the history of landscape architecture and on the question What is landscape architecture? John Claudius Loudon's included comments on Meason in his Gardener's Magazine (1828) and in his Encyclopedia of Architecture (1833). These comments transmitted the term to Andew Jackson Downing and, later, to Frederick Law Olmsted - setting the course of American landscape architecture. Andrew Jackson Downing's Treatise on the Theory and Practice of Landscape Gardening. (Section 1, Section 2 and Section 9). Downing was 'the first American writer on landscape architectural topics' (Norman T Newton in Design on the Land) and an 'incalcuable' influence on American garden design and landscape architecture (Oxford Companion to Gardens). Loudon's writings were his starting point. Frederick Law Olmsted's description of his winning design for the Central Park, New York, competition (1858). Olmsted 'the father of American landscape architecture' entered the profession as a result of the Greensward Plan for Central Park, done in partnership with the English architect Calvert Vaux. Norman T Newton's account of the scope of landscape architecture, from Design on the land. Geoffrey Jellicoe's account of the scope of landscape design, from the Landscape of Man Ian McHarg: notes and links on the twentieth century's outstanding landscape planner. eTexts relating to Arts and Crafts Gardens William Morris' essay on Hopes and fears for art in which he criticises carpet bedding and makes the point that gardens should be works of art and of craft. Thomas Huxley's discussion of Evolution and ethics (1859), in which he views his own garden as a 'work of art' in contrast to the 'state of nature' which existed before it was made. William Robinson The Wild Garden (1881 edn Chapters 1-5, originally published by John Murray and reproduced with their permission). Robinson is described by Jekyll (in the reference below) as 'our great champion of hardy flowers'. He urged the use of hardy plants, instead of subtropical plants and carpet bedding, in garden design. He had a sharp dispute with Blomfield (below). John D Sedding Garden craft old and new (1891) introduced his book with a chapter on The Theory of the Garden. There are 2 chapters in the Encyclopedia . Reginald Blomfield's The Formal garden in England (1901 edn, originally published by MacMillan and reproduced with their permission). A contemporary review in The Times said 'Mr. Blomfield's historical sketch of the art of gardening in England is full of interest and instruction, and his polemic against the so-called landscape gardeners is vigorous, incisive, and to our mind convincing.' The book is undoubtedly polemical, but commendably scholarly. Blomfield was the son of a bishop and had a hatred of modernism. Gertrude Jekyll's account of garden design (from Wall water and woodland gardens, 1901, originally published by Country Life and reproduced with their permission). Jekyll was the most influential writer on planting design in the twentieth century. This chapter is the clearest statement of her views on the history and theory of garden design. eTexts relating to Design Methods Design methodology: an overview by Tom Turner Surface water drainage and management (from Landscape Design October 1985) arguing for 'privileging' water in the design procedure Wilderness and plenty: construction and deconstruction (from Urban Design Quarterly September 1992) arguing that the professional structure of the construction industry would benefit from deconstruction. 'Feminine' landscape design: a tale of two tragedies (from a Sheffield Spring School lecture, April 1993) arguing for the 'way of the hunter' to be balanced by the 'way of the nester' Postmodern landscapes (from Landscape Design May 1993) arguing for landscape and garden designers to take account of postmodern ideas and theories in their work Pattern analysis (from Landscape Design October 1991) arguing for a design method based on pattern analysis, instead of the modernist Survey-Analysis-Design (SAD) method taught in most of the world's landscape and garden design schools. Revolutions in the garden (from Tom Turner's City as landscape, Spons 1996). After looking at the design revolutions which have taken place in the 1690s, 1790s, and 1890s this essay finds the seeds of a fourth design revolution in the work of Sir Geoffrey Jellicoe, Charles Jencks, and Ian Hamilton Finlay. The flowers of garden design theory (from Garden Design Journal Autumn 1999, published as 'Timeless with delight') this article suggests a design method which integrates knowledge drawn from various fields, including the fine arts, philosophy, the natural and social sciences. PAKILDA: Pattern Assisted Knowledge Intensive Landscape Design Approach (from Landscape Design May 2001). Developing the method outlined in the Garden Design Journal, this article the recommends a design method for landscape design and planning. Design history and theory (from a lecture delivered at the University of Uppsala in April 2002) this article relates the PAKILDA method to the set of design objectives outlined by Vitruvius in the first century: utilitas (Commodity), firmitas (Firmness) and venustas (Delight). eTexts relating to Twentieth Century Gardens There are histories of American Garden Design in the Encyclopedia , written in 1834, 1928 and 2001. Geoffrey Jellicoe: a collection of information on his work, including an essay by Tom Turner on: Geoffrey Jellicoe, the subconscious and landscape design (1998) Garden Revolutions: an essay in which it is argued that 'structuralism can infuse gardens with post-Postmodern ideas and beliefs. It is a layered approach to garden making. '
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