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Paintings in Proust

A Visual Companion to 'In Search of Lost Time'

Author: Eric Karpeles



Category: Art

Page: 352

View: 787

A lavishly illustrated exploration of the ways in which Proust incorporated artists and the visual arts into his works reproduces two hundred signature examples of how he embedded subject choices, painting styles, and the appearances of other artists within his own pieces.

The Material Object in the Work of Marcel Proust

Author: Thomas Baldwin

Publisher: Peter Lang


Category: Literary Criticism

Page: 188

View: 639

This book describes the development of Proust's treatment of material objects from his earliest work "Les Plaisirs et les jours" to his mature novel "A la recherche du temps perdu." It examines the literary influences on Proust's way with objects in the light of certain critical texts and reconsiders the significance of Ruskin. As the movement from unreflective and spontaneous representation to a meta-narrative of consciousness is traced, some questions as to the banality of the 'banal object' arise. The meta-narrative finds resonance in a peculiarly Proustian pictoriality which has been largely unnoticed. It resides in descriptions where objects appear simultaneously or at different times as things in paintings and in the real. By exploring connections between Proust's pictoriality and his reflections on 'matiere' and 'surface', the author suggests a radical approach to the modernism of "A la recherche du temps perdu.""

The Impact of Art on French Literature

From de Scudéry to Proust

Author: Helen Osterman Borowitz

Publisher: University of Delaware Press


Category: Literary Criticism

Page: 242

View: 613

This book traces a direct line of tradition that unites the French precieux novel, Romantic and Symbolist literature, and Proust's novel cycle.


Analytical Philosophy of Art

Author: David Carrier

Publisher: Peter Lang


Category: Art

Page: 128

View: 343

Two of the most important modernist artists, Marcel Proust and Andy Warhol, also developed aesthetic theories. Proust presents imaginary artists – a composer, a painter, and a novelist. Warhol made paintings and sculptures; created art history writing, fiction, and films; and sponsored a rock group. Warhol most likely never read Proust, but because their ways of thinking contrast dramatically, much can be learned about both men’s art by comparing: the imaginary painting described by Proust to Warhol’s Marilyn Diptych; the ways that Proust and Warhol understand art-making; how Proust and Warhol define art; and the ways that Elstir’s studio differs from Warhol’s factory. Also discussed is the relationship of their homosexuality to their art. Proust/Warhol: Analytical Philosophy of Art employs three key intellectual tools: the aesthetic theory of Arthur Danto, the account of Proust by Joshua Landy, and the analysis of the art of living by Alexander Nehamas. Proust/Warhol concludes with a discussion of an issue of particular importance for Warhol, the relationship between art and fashion.

The Art of Comics

A Philosophical Approach

Author: Aaron Meskin

Publisher: John Wiley & Sons


Category: Philosophy

Page: 224

View: 782

The Art of Comics is the first-ever collection of essays published in English devoted to the philosophical topics raised by comics and graphic novels. In an area of growing philosophical interest, this volume constitutes a great leap forward in the development of this fast expanding field, and makes a powerful contribution to the philosophy of art. The first-ever anthology to address the philosophical issues raised by the art of comics Provides an extensive and thorough introduction to the field, and to comics more generally Responds to the increasing philosophical interest in comic art Includes a preface by the renowned comics author Warren Ellis Many of the chapters are illustrated, and the book carries a stunning cover by the rising young comics star David Heatley

French 19th Century Painting and Literature: with Special Reference to the Relevance of Literary Subject-matter to French Painting

Author: Ulrich Finke

Publisher: Manchester University Press


Category: Art and literature

Page: 390

View: 170

Proust and painting

Author: Maurice Eugène Chernowitz



Category: Art in literature

Page: 261

View: 833

Proust's Imaginary Museum

Author: Gabrielle Townsend

Publisher: Peter Lang


Category: Literary Criticism

Page: 232

View: 511

This study of Marcel Proust's creative imagination examines an aspect of the novel that has hitherto been largely overlooked: the author's dependence on secondary visual sources. Gabrielle Townsend argues that reproductions play a key role in the work's complex, multi-layered structure.


Collected Essays on the Writer and His Art

Author: J. M. Cocking

Publisher: CUP Archive


Category: Literary Collections

Page: 307

View: 914

Briefly describes Proust's life, discusses the themes of Remembrance of Things Past, and examines his views on society, love, and art


The Creative Silence

Author: Angelo Caranfa

Publisher: Bucknell University Press


Category: Literary Criticism

Page: 202

View: 832

This study confronts Proust's underlying search to explain through literature the meaning of the human self. It deals with Proust's creative silence from an aesthetic-philosophical point of view by comparing him with Merleau-Ponty, Claudel, Braque, Marcel, St. Bonaventure, and St. Augustine.

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