The Penguin Modern Poets are succinct guides to the richness and diversity of contemporary poetry. Every volume brings together representative selections from the work of three poets now writing, allowing the curious reader and the seasoned lover of poetry to encounter the most exciting voices of our moment. ". . . And I was grown up, with your face on, heating spice after spice to smoke out the smell of books, to burn the taste buds off this bitten tongue, avoid ever speaking of you." - Emily Berry, 'Her Inheritance' "If you are not the free person you want to be you must find a place to tell the truth about that. To tell how things go for you." - Anne Carson, 'Candor' "I had a moment there among the balustrades and once that moment had expired it graduated from a moment to a life" - Sophie Collins, 'Dear No. 24601'
Grappling with nature, religion, violence and politics, poems of lucid intensity and astonishing power from three remarkable British poets Geoffrey Hill (1932-2016) was often considered the greatest English-language poet of his generation.Penguin Modern Poets 7: God Is Distant gathers a selection spanning Hill's full body of poetry, from the astonishing power and compression of the first five decades to the greater experimentalism and fluency of the creative outpouring that began in 1997, and places it alongside work by two younger British poets: Rowan Evans, whose 'tirelessly inventive' and 'vivid lyrical work' (Denise Riley, Eric Gregory Award citation) plays with the legacy of late modernism to create poetry of great beauty, energy and precision; and Toby Martinez de las Rivas, whose first two collections have seen his 'visionary disposition' (Guardian) build to rhetorical heights of Blakean dimensions. Taken together, these are poems of lucid intensity, high seriousness and knowing sidelong glances, as alert to the natural world of the British countryside as they are to the body that suffers and to questions of the soul. They take a long view of humanity's riches and crises, and consider along the way such issues as morality, faith, innocence, redemption, the public spaces of democracy and the acts of violence that rupture them, as well as that patron animal of the Modern Poets series: the urban fox.
The Penguin Modern Poets are succinct, collectible, lovingly-assembled guides to the richness and diversity of contemporary poetry, from the UK, America and beyond. Every volume brings together representative selections from the work of three poets now writing, allowing the seasoned poetry lover and the curious reader alike to encounter our most exciting new voices. Volume 6, Dark Looks, features the work of Maggie Nelson and Claudia Rankine, the two American poets who, in hybrid books bridging the divide between poetry, lyric prose, life-writing and theory such as Bluets, The Argonauts, Don't Let Me Be Lonely and Citizen, have transformed the literary landscape over the last 15 years, alongside that of Denise Riley, who for decades has been exploring closely related concerns - motherhood; identity and oppression; loss; the language and words that build, or assault, our selves - as one of the best-kept secrets of British poetry, now fittingly recognized by a string of shortlistings and awards. These are writers who combine deep thought with deep feeling to illuminate our world, how we suffer in it, how we resist it, and how we can live with and love it.
Thom Gunn, Geoffrey Hill, Ted Hughes, Sylvia Plath, and Peter Porter
Author: William Wootten
Publisher: Oxford University Press
Category: Biography & Autobiography
During the 1950s and 1960s, a generation of poets appeared who would eschew the restrained manner of 'movement' poets such as Philip Larkin, a generation who would, in the words of the introduction to A. Alvarez's classic anthology 'The New Poetry', take poetry 'beyond the gentility principle'. This was the generation of Thom Gunn, Geoffrey Hill, Ted Hughes, Sylvia Plath and Peter Porter. Here, author William Wootten explores what these five poets shared in common - their connections, critical reception, rivalries and differences - and locates what was new and valuable in their work.
Founded by Allen Lane in 1935, Penguin Books soon became the most read publisher in the United Kingdom and was synonymous with the British paperback. Making high quality reading cheaply available to millions, Penguin helped democratise reading. In so doing, Penguin played an important part in the cultural and intellectual life of the English speaking world. For this book, which has its origins in the successful international conference held at Bristol University in 2010 to mark 75 years of Penguin Books, recognised scholars from different fields examine various aspects of Penguin’s significance and achievement. David Cannadine and Simon Eliot offer wide historical perspectives of Penguin’s place and impact. Other scholars, including Alistair McCleery, Kimberley Reynolds, Andrew Sanders, Claire Squires, Susie Harries, Andrew Nash, Tom Boll and William John Lyons examine more particularised subjects. These range from the breaking of the Lady Chatterley ban to the visions of the future contained in Puffin Books; from Penguin Classics to the scholarly and commercial interests in publishers’ anniversaries; from the art and architectural histories of Nikolaus Pevsner to the art and design of Penguin covers; and from the translation of poetry to the transcription of the Dead Sea Scrolls. Together the essays depict much of what it was that made Penguin the most important British publishing house of the twentieth century.
The latest volume in Penguin Modern Poets series - moving and unflinchingly honest poems from three different cultures about experiences of the female body, the family, sexual politics and conflict Your Family, Your Body features the work of Malika Booker, the Guyanese-British writer and performer behind London- and Chicago-based collective Malika's Kitchen; the Pulitzer Prize-winning Sharon Olds, one of America's most brilliant, beloved and candid voices; and Warsan Shire, the award-winning poet and first ever Young Poetry Laureate of London who also lent her words to Beyoncé's visual album Lemonade. Inspired by Penguin's enormously successful '60s series of the same name, the Penguin Modern Poets are succinct, collectible, lovingly-assembled guides to the richness and diversity of contemporary poetry, from the UK, America and beyond. Every volume brings together representative selections from the work of three poets now writing, allowing the seasoned poetry fan and the curious reader alike to encounter our most exciting new voices.
The Penguin Modern Poets are succinct guides to the richness and diversity of contemporary poetry. Every volume brings together representative selections from the work of three poets now writing, allowing the curious reader and the seasoned lover of poetry to encounter the most exciting voices of our moment. "Is it any wonder I've got too much blood on my hands? The calls are coming from inside the house. I'm sick of my insane demands." - Michael Robbins, 'Peel Off the Scabs' ". . . The childhood of the dunk was no childhood at all. He practiced on a paper route, throwing The Sun to the same place each morning. Did not sleep long but when he slept, the springs of his bed imparted something to him. At night the streetlight floated down and let him dribble it." - Patricia Lockwood, 'The Descent of the Dunk' "if my signal drops it's because i've climbed with them, we're so high now i can in one single inverted yawn of my eyes full of skin and sex and fury see the whole city i so slowly streetlamp by streetlamp from the other side spent my life seeing in a drowning "and this one boy here he's doing he's doing a painting, it's the last day of august, it's a painting of a bed and" - Timothy Thornton, 'Voicemail for David Hoyle'
Intended To Serve The Academic Needs Of The Students Of English Literature, The Companion Is An Ultimate Literary Reference Source, Providing An Up-To-Date, Comprehensive And Authoritative Biographies Of Novelists, Poets, Playwrights, Essayists, Journalists And Critics Ranging From Literary Giants Of The Past To Contemporary Writers Like Peter Burnes (1931-2004), Anthony Powell (1905-2000), Patrick O Brian (1914-2000), Iris Murdoch (1919-1999), Grace Nicholas (1950- ) And Douglas Adams (1952-2001). Over The Last Few Decades English Literary Canon Has Become Relatively More Extensive And Diverse. In Recognition Of The Significance Of The New Literatures In English, Special Emphasis Has Been Given On The Writers Of These Literatures. In Addition, The Indian Writers Writing In English Have Been Given A Prominent Place In The Book, Thereby Making It Particularly Useful For The Students Of Indian English Literature. The Companion Is Unique Of Its Kind As It Gives A Broad Outline Of The Story And Not Merely A Brief Account Of The Plot Structure Of A Literary Work So As To Enable The Students To Have A Fairly Good Idea Of The Story. Likewise, Before Getting Down To The Writings Of An Author, The Companion Provides An Invaluable And Authoritative Biographical Note Believing That An Author S Biography Facilitates Proper Understanding Of His/Her Contributions.On Account Of Its Clear And Reliable Plot Summaries And Descriptive Entries Of Major Works And Literary Journals And Authentic Biographical Details, The Companion Is A Work Of Permanent Value. It Is Undoubtedly An Indispensable And Path-Breaking Handy Reference Guide For All Those Interested In Literatures In English Produced In The United Kingdom, The United States, Canada, Australia, Africa, The Caribbean, India And Other Countries.