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Pottery, for Artists, Craftsmen & Teachers

Author: George James Cox

Publisher: Good Press

ISBN:

Category: Fiction

Page: 2061

View: 809

"Pottery, for Artists, Craftsmen & Teachers" by George James Cox. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Pottery, for Artists, Craftsmen & Teachers

Author: George James Cox

Publisher:

ISBN:

Category: Pottery

Page: 200

View: 707

Pottery, for Artists Craftsmen & Teachers

Author: Cox George J

Publisher: Hardpress Publishing

ISBN:

Category:

Page: 240

View: 932

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Pottery, for Artists, Craftsmen & Teachers; Illustrated by the Author

Author: George James Cox

Publisher:

ISBN:

Category: Pottery

Page: 200

View: 595

Pottery for Artists Craftsmen & Teachers

Author: Georgejcox Georgejcox

Publisher: Palala Press

ISBN:

Category: History

Page: 226

View: 487

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Pottery, for Artists, Craftsmen & Teachers - Primary Source Edition

Author: George James Cox

Publisher: Nabu Press

ISBN:

Category:

Page: 224

View: 626

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Pottery, for Artists, Craftsmen & Teachers

Author: George James Cox

Publisher: Sagwan Press

ISBN:

Category:

Page: 224

View: 823

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Fired by Ideals

Arequipa Pottery and the Arts and Crafts Movement

Author: Suzanne Baizerman

Publisher: Pomegranate

ISBN:

Category: Art

Page: 129

View: 565

The Arts and Crafts Movement exerted a profound influence on early-twentieth-century America, not only in the applied and decorative arts but also in the area of social reform. Standing at this intersection of art and reform were American art potteries that taught ceramics skills to working-class women as a means of securing income, restoring health, and/or uplifting the spirit. Like its better known and more successful predecessors -- the Marblehead Pottery in Massachusetts, the Newcomb Pottery in New Orleans, and the Paul Revere Pottery in Boston (home of the "Saturday Evening Girls") -- the Arequipa Pottery in Fairfax, California, had fascinating origins, and it produced distinctive wares that today are prized by collectors. Fired by Ideals: Arequipa Pottery and the Arts & Crafts Movement tells the story of the Arequipa Sanatorium and Pottery, whose roots lie in the 1906 San Francisco earthquake and fire. The dust and smoke from the disaster prompted an outbreak of tuberculosis, which afflicted "working girls" in particular. In 1911, a progressive physician, Dr. Philip King Brown, founded a treatment center in rural Marin County, north of San Francisco, where these women could get the rest and medical care they needed, as well as engage in a therapeutic and marketable pursuit: the manufacture of art pottery. In addition to its engaging historical narrative supported by dozens of vintage photographs, the book employs technical illustrations and beautiful full-color reproductions to examine the production process at Arequipa and the types of pottery made there.

Industrial Arts Design : A Textbook of Practical Methods for Students, Teachers, and Craftsmen

Author: William H. Varnum

Publisher: Scott, Foresman and Company

ISBN:

Category: Reference

Page: 264

View: 907

Industrial Arts Design : A Textbook of Practical Methods for Students, Teachers, and Craftsmen Place for the Book. As a textbook, Industrial Arts Design is a practical guide for designing in wood, clay, and base and precious metals. It is intended for individual student use in the High Schools, Normal Schools, and Colleges and as a reference book for elementary school teachers. Its more complex problems are intended as definite helps to the industrial arts designer or craftsman. The wood problems are treated with special reference to their adaptability to bench and cabinet work. Need of the Book. It has been written to fill a decided demand for a textbook that shall, without loss of time, directly apply well-recognized principles of general design to specific materials and problems encountered in the Industrial Arts. A brief description of the decorative processes adapted to the materials under discussion with the design principles directly applying to these processes, insures designs that may be worked out in the studio or shop. It is hoped that this provision will eliminate the large number of impractical designs that are frequently entirely unfitted to the technic of the craft. This lack of mutual technical understanding between the teacher of design and the shop work instructor is the cause of friction that it is hoped will be removed by the methods advocated in these pages. The Author's Motive. It has been the intention to reduce unrelated and abstract theories to a minimum and reach directly rules and conclusions that shall be applicable to typical materials in common use in the schools and industries. The original conception materialized in the publication of a series of articles upon Design in the Industrial Arts Magazine, in 1915. These articles were favorably received and their results in the schools proved highly satisfactory. Through this encouragement, the articles have been reprinted in book form, enriched by the addition of illustrations, review questions, and three chapters on color with its applications. Industrial Arts Design develops the principles of industrial design in a new and logical form which, it is believed, will simplify the teaching of craft design. Chapters I to V deal with the elementary problems confronting the designer as he begins the first steps on his working drawing; Chapters VI to VIII show the methods by which he may express his individuality through contour or outline enrichment, while Chapters IX to XVII explain the treatment of the most difficult form of decoration, that of surface enrichment. The Appendix. The appendix is added to show the manner in which the rules may be directly applied to a course of study in either pottery or art metal. The present work is not intended to include the chemistry of glaze mixing or other technical requirements to which reference is made in the appendix; consequently the reader is referred to "The Potter's Craft" by C.F. Binns and "Pottery" by George J. Cox for fuller explanations of the formulae and technicalities of the craft. Source of Principles. The principles herein advocated are directly related to architectural design which is to be regarded as the standard authority for the industrial arts designer. It was necessary to state these principles in the form of sufficiently flexible rules which would allow the student to use his own judgment, but at the same time, restrict him to the essential principles of good design. Rules. This presentation of the principles of design by means of flexible rules in concrete form, serves to vitalize design by virtue of their immediate application to the material. The rules likewise save time for both pupil and instructor. This is regarded as an important factor, inasmuch as the amount of time usually allotted to classroom teaching of design is limited. While these rules are applied to the specific materials, the designer may readily adjust them to other materials and find them equally applicable. Direct copying of designs from the illustrations is a dangerous expedient and is to be discouraged as a form of plagiarism which will eventually destroy the student's initiative, originality, and reputation for creative work. Results. From the tests so far observed, it has been seen that under design guidance, the projects become more noticeably individual in character, lighter and better in construction, and more fully adjusted to their environment. The student's interest and initiative in his work are strengthened, and he completes the truly valuable cycle of the educative process of evolving his own idea and crystallizing it in the completed work. It is hoped that this book will tend to develop higher standards of good design in schools, industrial establishments, and the home. In conclusion, the author expresses his thanks to the following for their valuable suggestions and assistance in contributed illustrations: Miss D.F. Wilson, Miss Edna Howard, Miss Elizabeth Upham, Miss A.M. Anderson, Mr. J.M. Dorrans, Mr. J.B. Robinson, author of "Architectural Composition," and others to whom reference is made in the text.

Women and Ceramics

Gendered Vessels

Author: Moira Vincentelli

Publisher: Manchester University Press

ISBN:

Category: Art

Page: 290

View: 341

The author examines some of the great female ceramic traditions such as Pueblo pottery and considers the notable success women have had over the last century.

Ceramics and Modernity in Japan

Author: Meghen Jones

Publisher: Routledge

ISBN:

Category: Art

Page: 230

View: 270

Ceramics and Modernity in Japan offers a set of critical perspectives on the creation, patronage, circulation, and preservation of ceramics during Japan’s most dramatic period of modernization, the 1860s to 1960s. As in other parts of the world, ceramics in modern Japan developed along the three ontological trajectories of art, craft, and design. Yet, it is widely believed that no other modern nation was engaged with ceramics as much as Japan—a "potter’s paradise"—in terms of creation, exhibition, and discourse. This book explores how Japanese ceramics came to achieve such a status and why they were such significant forms of cultural production. Its medium-specific focus encourages examination of issues regarding materials and practices unique to ceramics, including their distinct role throughout Japanese cultural history. Going beyond descriptive historical treatments of ceramics as the products of individuals or particular styles, the closely intertwined chapters also probe the relationship between ceramics and modernity, including the ways in which ceramics in Japan were related to their counterparts in Asia and Europe. Featuring contributions by leading international specialists, this book will be useful to students and scholars of art history, design, and Japanese studies.

The Arts & Crafts Metalwork of Janet Payne Bowles

Author: Barry Shifman

Publisher: Indiana University Press

ISBN:

Category: Art

Page: 135

View: 884

"... the metalcraft and jewelry of this overlooked and idiosyncratic artist-metalsmith... resonates with an uncommon personal passion." --W. Scott Braznell This luxuriously illustrated catalog, the first survey of her life and work, reproduces seventy objects by Janet Payne Bowles (1872-1948), an Arts and Crafts jeweler and metalsmith who worked in Boston, New York, and Indianapolis and enjoyed an international reputation during her lifetime.

Wisconsin Library Bulletin

Author:

Publisher:

ISBN:

Category: Libraries

Page:

View: 227

Pottery Made Easy

Author: John Wolfe Dougherty

Publisher: Read Books Ltd

ISBN:

Category: Poetry

Page: 188

View: 298

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Register - University of California

Author: University of California, Berkeley

Publisher:

ISBN:

Category:

Page:

View: 307

Hedonizing Technologies

Paths to Pleasure in Hobbies and Leisure

Author: Rachel Maines

Publisher: JHU Press

ISBN:

Category: Crafts & Hobbies

Page: 211

View: 498

The book addresses basic issues in the history of labor and industry and makes an original contribution to the discussion of how technology and people interact.

Industrial Arts Design

A Textbook of Practical Methods for Students, Teachers, and Craftsmen (Classic Reprint)

Author: William H. Varnum

Publisher: Forgotten Books

ISBN:

Category: Technology & Engineering

Page: 266

View: 372

Excerpt from Industrial Arts Design: A Textbook of Practical Methods for Students, Teachers, and Craftsmen Industrial arts design develops the principles Of industrial design in a new and logical form which, it is believed, will simplify the teaching Of craft design. Chapters I to V deal with the elemen tary problems confronting the designer as he begins the first steps on his working drawing; Chapters VI to VIII Show the methods by which he may express his individuality through contour or outline enrichment, while Chapters IX to XVII explain the treatment Of the most difficult form Of decoration, that of surface enrichment. The Appendix. The appendix is added to Show the manner inwhich the rules may be directly applied to a course of study in either pottery or art metal. The present work is not intended to include the chemistry Of glaze mixing or other technical requirements to which reference is made in the appendix; consequently the reader is referred to The Potter's Craft by C. F. Binns and Pottery by George J. Cox for fuller explanations Of the formulae and technical ities Of the craft. Source of Principles. The principles herein advocated are directly related to architectural design which is to be regarded as the standard authority for the industrial arts designer. It was necessary to state these principles in the form of sufficiently flexible rules which would allow the student to use his own judgment, but at the same time, restrict him to the essential principles of good design. Rules. This presentation of the principles Of design by means of flexible rules in concrete form, serves to vitalize design by virtue of their immediate application to the material. The rules likewise save time for both pupil and instructor. This is regarded as an important factor, inasmuch as the amount Of time usually allotted to classroom teaching of design is limited. While these rules are applied to the specific materials, the designer may readily adjust them to other materials and find them equally applicable. Direct copying of designs from the illustrations is a dangerous expedient and is to be discouraged as a form of plagiarism which will eventually destroy the student's initiative, originality, and reputation for creative work. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Creative Teaching in Art

Author: Victor Edmond D'Amico

Publisher:

ISBN:

Category: Art

Page: 257

View: 989

Ceramics

Craftsmen-teachers : May 3 to May 28, 1965 : Foster Hall Art Gallery, Baton Rouge, Louisiana

Author: Foster Hall Art Gallery

Publisher:

ISBN:

Category: Pottery

Page: 12

View: 312

Catalog of Copyright Entries. New Series

1942

Author: Library of Congress. Copyright Office

Publisher:

ISBN:

Category:

Page: 472

View: 424

Includes Part 1, Books, Group 1, Nos. 1-12 (1942)

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