During the modern period, the bond between music and literature constituted a crucial and influential idea for Conrad and Eliot, Mann and Rilke, and many other writers. For modern novelists in particular this idea has provided the model and rationale for the experimental liberation of narrative form and its desired effect on the reader. Critics later in the twentieth century have undertaken analyses of various contrapuntal, sonata, and other musical structures in fiction, and some critics have studied the influence of various composers on novelists. Fullness of Dissonance is concerned with the related matter of how the aesthetics of music influenced the writers and texts of modern fiction. The musical aesthetic to which Proust, Mann, Joyce, and other novelists responded originates in Romanticism, and it culminates with the notion of a musicalized literature developed by many of the major progenitors of modernism - Mallarme, Pater, and Nietzsche. The first several chapters trace the bearing on modern novelists of this inheritance from Romanticism through Nietzsche's idea of dissonance; these chapters also analyze the musical paradigms provided by Beethoven, Schoenberg, and other composers. It was Nietzsche who first posited the idea that dissonant form liberates art from conventional, harmonious patterns of perception in order to formulate and provoke the perceiver's refusal of a habitual response to art and life. The key assumption of modernism in music is that dissonance is the sole "language" music can effectively speak in a century of disequilibrium. Fullness of Dissonance studies the ways in which this assumption applies to modern novelists' self-avowed efforts to "musicalize" fiction; their efforts lead to the use of a series of destabilizing strategies that, under the guise of "musicalizing" fiction, tacitly assume and achieve the effect of dissonance in the novel. The dissonant nature of modern fiction has both an aesthetic and an ethical identity; the hoped-for impact of dissonance in narrative is to activate the reader's capacity for a freed and independent consciousness. James Joyce is the climactic figure in this study for his work - particularly Ulysses - affirms the freed, fiction-generating consciousness at the core of dissonant narrative.
Originally published in 1941, this book provides a brief study of the life and work of Joseph Conrad ('Poland's English genius') through the lens of his writings. Bradbrook divides Conrad's stories by three main themes: the wonders of the deep, the hollow men and recollections in tranquillity, in order to show Conrad's literary development. This book will be of value to anyone with an interest in Conrad's writings.
Fiction has tremendous power to portray historical truth—and to communicate history to audiences who may not otherwise attend to the subject. This book presents Joseph Conrad's Heart of Darkness to students and general readers as an insightful guide to the history of Europe and Africa in the late nineteenth and early twentieth centuries. • Presents a fresh perspective on Conrad's novella Heart of Darkness by presenting this fictional story as a crucial source of historical knowledge • Explains key background information for better understanding Heart of Darkness, such as how Conrad's life uniquely positioned him to chronicle social and cultural history; the colonial partitioning of Africa and the founding of the Congo Free State; and the ivory and rubber trades in the Congo and the atrocities ensuingfrom these lucrative industries • Provides the texts of both Heart of Darkness and Conrad's autobiographical "Congo Diary" along with more than 200 annotations that illuminate the links between the story and its contexts as well as identify how Conrad shaped historical facts for his fictional portrayal • Ideal for students taking classes on modern world history, European history, African history, British history, western civilization, European colonialism, exploration and empire, or imperialism
Respected scientist and educator George V. Frisk draws on his extensive professional experience to demonstrate how the ocean environment provides an excellent setting in which to display general principles of wave propagation that are also applicable to other areas of wave physics. Ocean and Seabed Acoustics proceeds with a derivation of elementary solutions to the wave equation in free space and then progressively addresses problems of increasing complexity. This book concludes with a discussion of acoustic wave propagation due to a point source in an inhomogeneous waveguide with lossy boundaries.
Life, Death and Sleepless Nights in a Surgeon's First Years
Author: Dr. Michael J. Collins
Publisher: St. Martin's Press
Category: Biography & Autobiography
When Michael Collins decides to become a surgeon, he is totally unprepared for the chaotic life of a resident at a major hospital. A natural overachiever, Collins' success, in college and medical school led to a surgical residency at one of the most respected medical centers in the world, the famed Mayo Clinic. But compared to his fellow residents Collins feels inadequate and unprepared. All too soon, the euphoria of beginning his career as an orthopedic resident gives way to the feeling he is a counterfeit, an imposter who has infiltrated a society of brilliant surgeons. This story of Collins' four-year surgical residency traces his rise from an eager but clueless first-year resident to accomplished Chief Resident in his final year. With unparalleled humor, he recounts the disparity between people's perceptions of a doctor's glamorous life and the real thing: a succession of run down cars that are towed to the junk yard, long weekends moonlighting at rural hospitals, a family that grows larger every year, and a laughable income. Collins' good nature helps him over some of the rough spots but cannot spare him the harsh reality of a doctor's life. Every day he is confronted with decisions that will change people's lives-or end them-forever. A young boy's leg is mangled by a tractor: risk the boy's life to save his leg, or amputate immediately? A woman diagnosed with bone cancer injures her hip: go through a painful hip operation even though she has only months to live? Like a jolt to the system, he is faced with the reality of suffering and death as he struggles to reconcile his idealism and aspiration to heal with the recognition of his own limitations and imperfections. Unflinching and deeply engaging, Hot Lights, Cold Steel is a humane and passionate reminder that doctors are people too. This is a gripping memoir, at times devastating, others triumphant, but always compulsively readable.
Joel Sachs offers the first complete biography of one of the most influential figures in twentieth-century American music. Henry Cowell, a major musical innovator of the first half of the century, left a rich body of compositions spanning a wide range of styles. But as Sachs shows, Cowell's legacy extends far beyond his music. He worked tirelessly to create organizations such as the highly influential New Music Quarterly, New Music Recordings, and the Pan-American Association of Composers, through which great talents like Ruth Crawford Seeger and Charles Ives first became known in the US and abroad. As one of the first Western advocates for World Music, he used lectures, articles, and recordings to bring other musical cultures to myriad listeners and students including John Cage and Lou Harrison, who attributed their life work to Cowell's influence. Finally, Sachs describes the tragedy of Cowell's life, being sentenced to fifteen years in San Quentin -- of which he served four -- after pleading guilty to a morals charge that even the prosecutor felt was trivial. Providing a wealth of insight into Cowell's ideas and philosophy, Joel Sachs lays out a much-needed perspective on one of the giants of twentieth-century American music.
The Hound of the Baskervilles is the tale of an ancient curse suddenly given a terrifying modern application. The grey towers of Baskerville Hall and the wild open country of Dartmoor hold many secrets for Holmes and Watson to unravel. The detective is contemptuous of supernatural manifestations, but the reader will remain perpetually haunted by the hound from the moor. The editor of this volume, W.W. Robson, was Emeritus David Masson Professor of English Literature at the University of Edinburgh and author of Modern English Literature. The general editor of the Oxford Sherlock Holmes, Owen Dudley Edwards, is Reader in History at the University of Edinburgh and author or The Quest for Sherlock Holmes: A Biographical Study of Sir Arthur Conan Doyle. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.