Trieste Publishing has a massive catalogue of classic book titles. Our aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. The many thousands of books in our collection have been sourced from libraries and private collections around the world.The titles that Trieste Publishing has chosen to be part of the collection have been scanned to simulate the original. Our readers see the books the same way that their first readers did decades or a hundred or more years ago. Books from that period are often spoiled by imperfections that did not exist in the original. Imperfections could be in the form of blurred text, photographs, or missing pages. It is highly unlikely that this would occur with one of our books. Our extensive quality control ensures that the readers of Trieste Publishing's books will be delighted with their purchase. Our staff has thoroughly reviewed every page of all the books in the collection, repairing, or if necessary, rejecting titles that are not of the highest quality. This process ensures that the reader of one of Trieste Publishing's titles receives a volume that faithfully reproduces the original, and to the maximum degree possible, gives them the experience of owning the original work.We pride ourselves on not only creating a pathway to an extensive reservoir of books of the finest quality, but also providing value to every one of our readers. Generally, Trieste books are purchased singly - on demand, however they may also be purchased in bulk. Readers interested in bulk purchases are invited to contact us directly to enquire about our tailored bulk rates.
The New York Music Scene in the Days of George Templeton Strong, Volume 3: Repercussions, 1857-1862
Author: Vera Brodsky Lawrence
Publisher: University of Chicago Press
In Strong on Music Vera Brodsky Lawrence uses the diaries of lawyer and music lover George Templeton Strong as a jumping-off point from which to explore every aspect of New York City's musical life in the mid-nineteenth century. This third and final volume ranges across opera, orchestral and chamber music, blackface minstrels, military bands, church choirs, and even concert saloons. Among the many striking scenes vividly portrayed in Repercussions are the rapturous reception of Verdi's Ballo in maschera in 1861; the impact of the Civil War on New York's music scene, from theaters closing as their musicians enlisted to the performance of "The Star-Spangled Banner" at every possible occasion; and open-air concerts in the developing Central Park. Throughout, Lawrence mines a treasure trove of primary source materials including daily newspapers, memoirs, city directories, and architectural drawings. Indispensable for scholars, Repercussions will also fascinate music fans with its witty writing and detailed descriptions of the cultural life of America's first metropolis. Formerly a concert pianist, Vera Brodsky Lawrence spent the last third of her life as a historian of American music (she died in 1996). She was editor of The Piano Works of Louis Moreau Gottschalk and The Complete Works of Scott Joplin. On Volume 1: "A marvelous book. There is nothing like it in the literature of American music."—Harold C. Schonberg, New York Times Book Review On Volume 2: "A monumental achievement."—Victor Fell Yellin, Opera Quarterly
How European Piano Virtuosos Brought Classical Music to the American Heartland
Author: R. Allen Lott
Publisher: Oxford University Press
It's difficult to imagine Franz Liszt performing in Peoria, but his contemporary and foremost rival, Sigismund Thalberg, did just that. During the mid-nineteenth century, Americans in more than a hundred cities--from Portland, Maine to Dubuque, Iowa to Mobile, Alabama--were treated to performances by some of Europe's most celebrated pianists. From Paris to Peoria deftly chronicles the visits of five of these pianists to the America of Mark Twain. Whether performing in small railroad towns throughout the Midwest or in gold-rush era California, these five charismatic pianists--Leopold de Meyer, Henri Herz, Sigismund Thalberg, Anton Rubinstein, and Hans von Bülow--introduced many Americans to the delights of the concert hall. With humor and insight, R. Allen Lott describes the glamour and the drudgery of the touring life, the transformation of American audiences from boisterous to reverent, and the establishment of the piano recital as a viable artistic and financial enterprise. Lott also explores the creative and sometimes outlandish publicity techniques of managers seeking to capitalize on prosperous but uncharted American markets. The result of extensive archival research, From Paris to Peoria is richly illustrated with concert programs, handbills, caricatures, and maps. A companion website, www.rallenlott.info, includes a comprehensive list of repertoires and itineraries, audio music examples, and transcriptions of selected primary sources. Certain to delight pianists, musicologists, and historians, From Paris to Peoria is an engaging, thoroughly researched, and often funny account of music and culture in nineteenth-century America.
A renowned concert pianist traces the instrument's design, manufacture, and music in a delightful "piano's eye-view" of the social history of Western Europe and the United States from the 16th to the 20th centuries.
Manchester-born Sir Joseph John Thomson (1858-1940), discoverer of the electron, was one of the most important Cambridge physicists of the later nineteenth and first half of the twentieth centuries. Succeeding Lord Rayleigh as Cavendish Professor of Experimental Physics, he directed the research interests of the laboratory, and eight of his students, including Rutherford, went on to win Nobel Prizes, as Thomson himself did in 1906. He was knighted in 1908, received the Order of Merit in 1912, and became Master of Trinity College in 1918. He also served as President of the Royal Society from 1915 from 1920 and was a government advisor on scientific research during World War I. This autobiography, published in 1936, covers all aspects of his career - his student days in Manchester, arrival in Cambridge, and growing international reputation. It gives a fascinating picture of Cambridge life and science at a dynamic period of development.
The period 1700-1900, roughly from Purcell to Elgar, has traditionally been seen as a dark age in British musical history, while research into British music of the period has tended to concentrate on London. However, it is becoming increasingly clear that by 1750 Britain had a highly distinctive musical culture, in terms of its reach, the way it was organised, and its size, richness and quality. This is the first book to concentrate specifically on musical life in the provinces, bringing together new archival research and offering a fresh perspective on British music of the period.