Author E. W. Hornung is perhaps best remembered for creating the unforgettably raffish criminal mastermind, Raffles. In the novel The Crime Doctor, Hornung flips the script and takes a hard look at crime from the other side of the equation. Doctor John Dollar is a learned scholar and practitioner who becomes obsessed with the idea of preventing criminal behavior before it takes hold--and he's willing to take extreme measures to fulfill his objective.
Ernest William Hornung (7 June 1866 - 22 March 1921) was an English author and poet known for writing the A. J. Raffles series of stories about a gentleman thief in late 19th-century London. Hornung was educated at Uppingham School; as a result of poor health he left the school in December 1883 to travel to Sydney, where he stayed for two years. He drew on his Australian experiences as a background when he began writing, initially short stories and later novels. In 1898 he wrote "In the Chains of Crime," which introduced Raffles and his sidekick, Bunny Manders; the characters were based partly on his friends Oscar Wilde and his lover, Lord Alfred Douglas, and also on the characters of Sherlock Holmes and Dr. Watson, created by his brother-in-law, Arthur Conan Doyle. The series of Raffles short stories were collected for sale in book form in 1899, and two further books of Raffles short stories followed, as well as a poorly received novel. Aside from his Raffles stories, Hornung was a prodigious writer of fiction, publishing numerous books from 1890, with A Bride from the Bush to his 1914 novel The Crime Doctor.
The definitive guide to classic films from one of America's most trusted film critics Thanks to Netflix and cable television, classic films are more accessible than ever. Now co-branded with Turner Classic Movies, Leonard Maltin’s Classic Movie Guide covers films from Hollywood and around the world, from the silent era through 1965, and from The Maltese Falcon to Singin’ in the Rain and Godzilla, King of the Monsters! Thoroughly revised and updated, and featuring expanded indexes, a list of Maltin’s personal recommendations, and three hundred new entries—including many offbeat and obscure films—this new edition is a must-have companion for every movie lover. From the Trade Paperback edition.
The crime film genre consists of detective films, gangster films, suspense thrillers, film noir, and caper films and is produced throughout the world. Crime film was there at the birth of cinema, and it has accompanied cinema over more than a century of history, passing from silent films to talkies, from black-and-white to color. The genre includes such classics as The Maltese Falcon, The Godfather, Gaslight, The French Connection, and Serpico, as well as more recent successes like Seven, Drive, and L.A. Confidential. The Historical Dictionary of Crime Films covers the history of this genre through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on key films, directors, performers, and studios. This book is an excellent access point for students, researchers, and anyone wanting to know more about crime cinema.
Anthony Mann (1906-1967) is renowned for his outstanding 1950s westerns starring James Stewart (Winchester '73, The Naked Spur, The Man from Laramie). But there is more to Mann's cinematic universe than those tough Wild West action dramas featuring conflicted and secretive heroes. This brilliant Hollywood craftsman also directed fourteen electrifying crime thrillers between 1942 and 1951, among them such towering achievements in film noir as T-Men, Raw Deal, and Side Street. Mann was as much at home filming dark urban alleys in black-and-white as he was the prairies and mountains in Technicolor, and his protagonists were no less conflicted and secretive than his 1950s cowboys. In these Mann crime thrillers we find powerful stories of sexual obsession (The Great Flamarion), the transforming images of women in wartime and postwar America (Strangers in the Night, Strange Impersonation), exploitation of Mexican immigrants (Border Incident), studies of the criminal mind (He Walked by Night), and Civil War bigotry (The Tall Target). Mann's forceful camera captured such memorable and diverse stars as Erich von Stroheim, Farley Granger, Dennis O'Keefe, Claire Trevor, Richard Basehart, Ricardo Montalbán, Ruby Dee, and Raymond Burr. The Crime Films of Anthony Mann features analysis of rare documents, screenplays, story treatments, and studio memoranda and reveals detailed behind-the-scenes information on preproduction and production on the Mann thrillers. Author Max Alvarez uses rare and newly available sources to explore the creation of these noir masterworks. Along the way, the book exposes secrets and solves mysteries surrounding the mercurial director and his remarkable career, which also included Broadway and early live television.
THE FIRST CAMPION MYSTERY 'Margery Allingham stands out like a shining light' Agatha Christie A suspicious death and a haunted family heirloom were not advertised when Dr George Abbershaw and a groupof London's brightest young things accepted an invitation to the mansion of Black Dudley. Skulduggery is most certainly afoot, and the party-goers soon realise that they're trapped in the secluded house. Amongst them is a stranger who promises to unravel the villainous plots behind their incarceration - but can George and his friends trust the peculiar young man who calls himself Albert Campion?
Analyzing the findings of 20 studies, involving more than 5,000 people, this book explores the decision making process of the crime victim in the immediate aftermath of victimization. Using a broad range of innovative research techniques, the authors assess the effects of rape, robbery, burglary, and theft on individuals from diverse nationalities and ethnic backgrounds. This work will be of value to people who work directly with crime victims, and to researchers who are interested in the process of decision making under stressful circumstances.