Ruth Galloway has just returned from maternity leave and is struggling to juggle work and motherhood. When a team from the University of North Norfolk, investigating coastal erosion, finds six bodies buried at the foot of the cliff, she is immediately put on the case. DCI Nelson is investigating, but Ruth finds this more hindrance than help - Nelson is the father of her daughter, Kate. Still, she remains professional and concentrates on the case at hand. Forensic tests prove that the bodies are from Southern Europe, killed sixty years ago. Police Investigations unearth records of Project Lucifer, a wartime plan to stop a German invasion. A further discovery reveals that members of the Broughton Sea's End Home Guard took a 'blood oath' to conceal some deadly wartime secret. The more information they uncover, the more elusive any explanation becomes. When a visiting German reporter is killed, Ruth and Nelson realise that someone is still alive who will kill to keep the secret of Broughton Sea's End's war years. Can they discover the truth in time to stop another murder?
The first three cases in Elly Griffiths' bestselling Dr Ruth Galloway mystery series. THE CROSSING PLACES. Ruth Galloway is called upon by DCI Nelson to investigate human remains found in the Norfolk marshes, thought to be those of a missing girl about whom the police having been receiving some very strange letters. THE JANUS STONE. Bones are unearthed on the site of an old children's home. Two children had gone missing from the home forty years previously... but the evidence points to a different crime altogether. THE HOUSE AT SEA'S END. Ruth Galloway and DCI Nelson find themselves investigating a hideous crime that has been concealed for decades. And it soon becomes clear that someone wants the truth to stay buried, and they will go to any lengths to keep it that way. 'Ruth Galloway is one of the most engaging characters in modern crime fiction' - Kate Mosse
It’s been only a few months since archaeologist Ruth Galloway found herself entangled in a missing persons case, barely escaping with her life. But when construction workers demolishing a large old house in Norwich uncover the bones of a child beneath a doorway—minus its skull—Ruth is once again called upon to investigate. Is it a Roman-era ritual sacrifice, or is the killer closer at hand? Ruth and Detective Harry Nelson would like to find out—and fast. When they realize the house was once a children’s home, they track down the Catholic priest who served as its operator. Father Hennessey reports that two children did go missing from the home forty years before—a boy and a girl. They were never found. When carbon dating proves that the child’s bones predate the home and relate to a time when the house was privately owned, Ruth is drawn ever more deeply into the case. But as spring turns into summer it becomes clear that someone is trying very hard to put her off the trail by frightening her, and her unborn child, half to death. The Janus Stone is a riveting follow-up to Griffiths’s acclaimed The Crossing Places.
Carrie, Tom, Em and Michael Fielding are at the mercy of their rotten Uncle Rudolph after a fire leaves them homeless, with their mother in hospital and their father abroad at sea. Uncle Rudolph and his vain wife Val reluctantly take the children in, but soon let them live alone at World's End, their ramshackle house in the countryside, rather than look after them. So begins a life with no grown-ups where the Fielding children can adopt as many dogs, cats, monkeys and horses as they like. Free at last from interference from their relatives, they begin to fend for themselves, adding to their already sizeable collection of animals – rescuing them from the thoughtless cruelty of adults. The House at World's End is the first adventure in The World's End series.
From early colonial encounters to the ecological disasters of the twenty-first century, the performativity of contact has been a crucial element in the political significance of the beach. Conceptualising the beach as a creative trope and as a socio-cultural site, as well as an aesthetically productive topography, this collection examines its multiplicity of meanings and functions as a natural environment engendering both desire and fear in the human imagination from the Victorian period to the present. The contributors examine literature, film, and art, in addition to moments of encounter and environmental crisis, to highlight the beach as a social space inspiring particular codes of behaviour and specific discourses, as a geographical frontier between land and water, as an historical site of contact and conflict, and as a vacationscape promising regeneration and withdrawal from everyday life. The diversity of the beach is reflected in the geographical range, with essays on locales and texts from Britain, Ireland, the Caribbean, South Africa, the United States, Polynesia, and New Zealand. Focusing on the changed function of the beach as a result of processes of industrialisation and the rise of a modern leisure and health culture, this interdisciplinary volume theorises the beach as a demarcater of the precarious boundary between land and the sea, as well as between nature and culture.
Looking for a new mystery series to suck you in? Dive into the inaugural novels of the captivating Ruth Galloway mysteries with this starter pack. Archaeologist Dr. Ruth Galloway turns amateur sleuth once Detective Chief Inspector Nelson calls her for help when a child’s bones are found on a desolate beach. Gone are the days of digging up artifacts and living alone with her cats—Ruth is pulled into the world of shadowy murders, resurfaced bones, historical mysteries, twisted secrets, and a dash of romance. THE CROSSING PLACES Join Dr. Ruth Galloway in her first foray into the world of forensic archaeology when a child’s bones are found on a beach. Ruth is called in to help decipher whether they are the remains of Lucy Downey, a little girl who went missing a decade ago and whose abductor continues to taunt Detective Chief Inspector Nelson with bizarre letters containing references to ritual sacrifice, Shakespeare, and the Bible. Then a second girl goes missing and Nelson receives a new letter—exactly like the ones about Lucy. Is it the same killer? Or a copycat murderer, linked in some way to the site near Ruth’s remote house? THE JANUS STONE It’s been only a few months since archaeologist Ruth Galloway found herself entangled in a missing persons case, barely escaping with her life. But when construction workers demolishing a large old house in Norwich uncover the bones of a child beneath a doorway—minus its skull—Ruth is once again called upon to investigate. Is it a Roman-era ritual sacrifice, or is the killer closer at hand? THE HOUSE AT SEA’S END Just back from maternity leave, forensic archaeologist Ruth is finding it hard to juggle motherhood and work when she is called in to investigate human bones that have surfaced on a remote Norfolk beach. The bones—six men with their arms bound—it turns out, date back to World War II, a desperate time on this stretch of coastland. Elly Griffiths’s work has been praised by the Associated Press as “must-reads for fans of crime fiction.” The e-book includes The Crossing Places, The Janus Stone, and The House at Sea’s End.
A NEW YORK TIMES, USA TODAY, and WASHINGTON POST BESTSELLER! A 2021 Alex Award winner! The 2021 RUSA Reading List: Fantasy Winner! An Indie Next Pick! One of Publishers Weekly's "Most Anticipated Books of Spring 2020" One of Book Riot’s “20 Must-Read Feel-Good Fantasies” Lambda Literary Award-winning author TJ Klune’s bestselling, breakout contemporary fantasy that's "1984 meets The Umbrella Academy with a pinch of Douglas Adams thrown in." (Gail Carriger) Linus Baker is a by-the-book case worker in the Department in Charge of Magical Youth. He's tasked with determining whether six dangerous magical children are likely to bring about the end of the world. Arthur Parnassus is the master of the orphanage. He would do anything to keep the children safe, even if it means the world will burn. And his secrets will come to light. The House in the Cerulean Sea is an enchanting love story, masterfully told, about the profound experience of discovering an unlikely family in an unexpected place—and realizing that family is yours. "1984 meets The Umbrella Academy with a pinch of Douglas Adams thrown in." —Gail Carriger, New York Times bestselling author of Soulless At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.