Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 28. Chapters: List of recurring The Mighty Boosh characters, List of minor The Mighty Boosh characters, Noel Fielding, The Mighty Boosh Live: Future Sailors Tour, Julian Barratt, Rich Fulcher, Robots in Disguise, The Boosh, Unnatural Acts, Crimp, Michael Fielding, The Mighty Book of Boosh, Sweet, PieFace Records, Dave Brown, Autoboosh, The Mighty Decider, Arctic Boosh, List of The Mighty Boosh characters. Excerpt: The following is a list of recurring characters from The Mighty Boosh, including characters from the television series, the radio series, and the various stage shows. Most of the recurring characters are played by Julian Barratt, Noel Fielding, Michael Fielding, Rich Fulcher or Dave Brown. For minor and non-recurring characters see List of minor characters from The Mighty Boosh. The central cast of The Mighty Boosh.From left to right: Howard Moon (Julian Barratt), Bollo de beer (Dave Brown), Naboo the Enigma (Michael Fielding), Vince Noir (Noel Fielding) and Bob Fossil (Rich Fulcher), as portrayed in Series 3The Mighty Boosh centres on the adventures of Howard Moon (Barratt) and Vince Noir (Fielding), aided by the other two members of the central cast, Naboo the Enigma (Michael Fielding) and Bollo (Peter Elliott/Dave Brown), who by series 3 they share a flat with. Bob Fossil (Rich Fulcher) is part of the central cast in series 1, becoming a recurring character thereafter. In the course of the series a variety of bizarre and surreal recurring characters cross their paths, mostly also played by the same cast doubling up. Howard TJ Moon is portrayed by Julian Barratt. Howard is an aspiring musician, actor, poet, novelist and photographer. In the first series he works at the Zooniverse as a zookeeper, alongside Vince. In the second series, Howard and Vince have left the zoo and formed a band together. He is vain, despite..

Join Howard Moon, Vince Noir, Naboo, Bollo, Bob Fossil, Old Gregg, the Moon, and all your other favourite characters on a unique journey in to the world of The Mighty Boosh. Content includes:*An extract from Howard's jazz detective novel Trumpet Full of Memories*Vince's Christmas Toy story*Bollo's letters to Peter Jackson*Bob Fossil's postcards from 'Nam*A new Charlie story*Ol' Gregg's watercolours*Naboo's guide to black magic*Dixon Bainbridge's Turkish Challenge*Crimp lyricsIncredibly funny, visually dynamic, surreal, musical, wildly creative... The Mighty Boosh is unlike anything else on British television, and this beautifully illustrated humour book is utterly unique.

'Welcome to what will in no doubt be a groundbreaking work of collage / literature.' Howard Moon'Hey Camden children, Vince here. Hope you dig the Boosh book and all the groovy photos Bollo took. Skip past Howard's bits though. Well dry.' Vince Noir

You know Mark Twain, creator of the long-beloved characters Huck Finn and Tom Sawyer, but have you heard what he said about Jane Austen? The Little Book of Zingers will feature the greatest comebacks and one-liners of all time, uttered by the iconic men and women we know and love (or love to hate)! Every generation sees its fair share of geniuses: men and women who possess boundless intellect and are capable of incredible insight. Søren Kierkegaard was such a man. Widely considered the father of existential philosophy, Kierkegaard uttered such profundities as: “If I am capable of grasping God objectively, I do not believe, but precisely because I cannot do this I must believe.” But on one truly momentous occasion, Kierkegaard made one confident and succinct statement that shook the earth: “My opponent is a glob of snot.” Kierkegaard spoke of Hans Martensen, an academic with whom he’d had a fair share of disagreements. The two often went toe-to-toe in scholarly debate, but with this dynamite zinger, Kierkegaard ended all further discussion. After all, who expects to be called a glob of snot? There’s no coming back from that. The Little Book of Zingers will explore the rich depths of crushingly hilarious salt-in-the-wound one-liners you’ve never heard that’ll make you gasp at their audacity. From the Age of Enlightenment to the Roaring Twenties to the boogie-down seventies, The Little Book of Zingers will take readers on a journey through some of history’s greatest burns, spoken by the men and women who shaped the world.

From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.

Surveying the widespread appropriations of the Gothic in contemporary literature and culture, Post-Millennial Gothic shows contemporary Gothic is often romantic, funny and celebratory. Reading a wide range of popular texts, from Stephenie Meyer's Twilight series through Tim Burton's Gothic film adaptations of Sweeney Todd, Alice in Wonderland and Dark Shadows, to the appearance of Gothic in fashion, advertising and television, Catherine Spooner argues that conventional academic and media accounts of Gothic culture have overlooked this celebratory strain of 'Happy Gothic'. Identifying a shift in subcultural sensibilities following media coverage of the Columbine shootings, Spooner suggests that changing perceptions of Goth subculture have shaped the development of 21st-century Gothic. Reading these contemporary trends back into their sources, Spooner also explores how they serve to highlight previously neglected strands of comedy and romance in earlier Gothic literature.

The Rough Guide to British Cult Comedy is the ultimate guide to live and television comedy in Britain from the 1980s to the present day. From Ben Elton to Alan Carr, this book profiles fifty of the most influential cult comedy icons and discovers how they became household names. Throughout the book, there are tips from comedians and industry insiders, with a mix of amusing anecdotes and practical suggestions for writing and performing your own live show and sitcom. The guide reviews the top cult comedy on TV and in the movies, with a detailed focus on what inspired them and what they in turn inspired. "Comedy Stories" looks at the highs and lows of performing live comedy with tales of the rowdiest hecklers and strangest audiences. The book comes complete with a round up of the best dvds, books and comic websites available.

Horror is a universally popular, pervasive TV genre, with shows like True Blood, Being Human, The Walking Dead and American Horror Story making a bloody splash across our television screens. This complete, utterly accessible, sometimes scary new book is the definitive work on TV horror. It shows how this most adaptable of genres has continued to be a part of the broadcast landscape, unsettling audiences and pushing the boundaries of acceptability. The authors demonstrate how TV Horror continues to provoke and terrify audiences by bringing the monstrous and the supernatural into the home, whether through adaptations of Stephen King and classic horror novels, or by reworking the gothic and surrealism in Twin Peaks and Carnivale. They uncover horror in mainstream television from procedural dramas to children's television and, through close analysis of landmark TV auteurs including Rod Serling, Nigel Kneale, Dan Curtis and Stephen Moffat, together with case studies of such shows as Dark Shadows, Dexter, Pushing Daisies, Torchwood, and Supernatural, they explore its evolution on television. This book is a must-have for those studying TV Genre as well as for anyone with a taste for the gruesome and the macabre.

A beautiful and hilarious new book from the star of Never Mind the Buzzcocks, and co-author of the massive bestseller The Mighty Book of Boosh.

The League of Gentlemen Part sitcom, part sketch show, part 'Kitchen Sink', part 'Northern Gothic', The League of Gentlemen is one of British television's most innovative and enduring comedy series. Set in the northern town of Royston Vasey, the series introduced viewers to homicidal Local Shop keepers Tubbs and Edward, vindictive training officer Pauline, demonic butcher Hilary Briss, and the nightmarish circus owner Papa Lazarou. Such was the series' effect that the word 'local' would never seem the same again. The majority of these grotesque characters were played by Mark Gatiss, Steve Pemberton and Reece Shearsmith, who created and wrote the series with Jeremy Dyson. In addition to creating a unique world, where the mundane collided with the macabre, the League showcased a versatility in its performers rarely seen in TV comedy. Leon Hunt's entertaining and illuminating study offers the most sustained analysis of the series. Drawing on original interviews with Dyson and Gatiss, he traces the League's evolution, from fringe theatre to radio to television, from sketch-based material to the longer narratives of the Christmas Special and the contentious third series. Hunt contextualises the series as a 'cult classic', discussing its place within traditions of British comedy, its references to horror and fantasy and its creation of a grotesque and self-contained world. Leon Hunt is Senior Lecturer in Film and TV Studies at Brunel University. He is the author of Kung Fu Cult Masters: From Bruce Lee to Crouching Tiger (2003) and British Low Culture: From Safari Suits to Sexploitation (1998).

"This is the essential guide for all aspiring, new and established writers for the screen. It includes hundreds of useful contact detail entries from courses, societies and grants to representation and production companies."--Provided by publisher.

Nick Hornby was an Arsenal fan, John O'Farrell was a Labour supporter, Nick Griffiths is a Doctor Who fan . . .

WINNER OF THE 2011 ERIC GREGORY AWARDS How To Build A City is the Crashaw Prize-winning debut collection of poetry by Tom Chivers. It is a poetic interrogation of the twenty-first century urban experience, drawing on the history, culture, society and topography of London. Chivers takes his cue from radical writers such as Iain Sinclair and Barry MacSweeney to create an impressionist poetry, marked by playful riddling, found texts and unusual juxtapositions. How To Build A City is peopled by ghosts of London’s past as well as the distinctly modern spectres of spam email, international terrorism and the credit crunch.The title piece is a choppy, sardonic investigation of contemporary East London, a travelogue that never really leaves Liverpool Street Station. Some of the poems are personal accounts of love and loss, including ‘Thom, C & I’, a long sequence of lyrical fragments cut from a diary written by the poet’s mother. Other poems take the reader away from the city to the fenlands of Medieval East Anglia, apple-heavy Himalayan gardens and the bleak uplands of Northern England.How To Build A City captures the mood of a fluctuating, unstable metropolis that is continually coming to terms with multiple and conflicting identities.

This is a manual for screenwriters and filmmakers in the form of notes. These provide a step-by-step, common sense guide, with suggestions on how writers can best present themselves to the industry. This book does not explain how to write a screenplay. Instead, it provides insider confidences from established industry players and peers on how to have a professional approach to writing. A revelation for all would-be screenwriters, this is a guide to living the screenwriter's life: the habits, creative processes and writing atmosphere.